Welfare offer real madrid jersey_login bonus www.sbobet.com online_free login w88 wolverhampton https://www.google.com//fbe/ Celebrating Films of the 1960s & 1970s en Serendipity 1.5.2 - http://www.s9y.org/ Sat, 23 Jun 2018 17:05:24 GMT /fbe/templates/default/img/s9y_banner_small.png RSS: Cinema Retro - Mark Cerulli - Celebrating Films of the 1960s & 1970s https://www.google.com//fbe/ 100 21 REVIEW: "JURASSIC WORLD: FALLEN KINGDOM" STARRING CHRIS PRATT AND BRYCE DALLAS HOWARD https://www.google.com//fbe/index.php?/archives/10107-REVIEW-JURASSIC-WORLD-FALLEN-KINGDOM-STARRING-CHRIS-PRATT-AND-BRYCE-DALLAS-HOWARD.html Mark Cerulli /fbe/index.php?/archives/10107-REVIEW-JURASSIC-WORLD-FALLEN-KINGDOM-STARRING-CHRIS-PRATT-AND-BRYCE-DALLAS-HOWARD.html#comments /fbe/wfwcomment.php?cid=10107 0 /fbe/rss.php?version=2.0&type=comments&cid=10107 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:9713 --> </p> <div class="serendipity_imageComment_center" style="width: 450px;"> <div class="serendipity_imageComment_img"><!-- s9ymdb:9713 --><img class="serendipity_image_center" src="/fbe/uploads/jurassicworlda.JPG" width="450" height="190" /></div> <div class="serendipity_imageComment_txt">Photo Credit: Universal Pictures and Amblin Entertainment, Inc. and Legendary Pictures Productions, LLC. </div> </div> <br /> <p>&#160;</p> <p><strong>BY MARK CERULLI&#160;</strong> <br /></p> <p class="MsoNormal"><span style="font-size: 10pt;">Like the old-time movie serials, <em>Jurassic World: Fallen Kingdom</em> picks up shortly after the previous film ends to keep the overall story going.<span> </span>The famous resort is now in shambles, slowly being reclaimed by the jungle and the surviving dinosaurs have been left to die out on Isla Nublar.<span> </span>The screenplay by Derek Connolly &amp; Colin Trevorrow</span><span style="font-size: 10pt;"> </span><span style="font-size: 10pt;">(who directed the previous film) cleverly incorporates the current spirit of environmentalism with a raging debate to save the remaining dinosaurs, or let them die out again.<span> </span>When the island*s volcano erupts (shades of the current situation in Hawaii) a private foundation headed by the partner of the park*s original founder, John Hammond, comes to the rescue...<span> </span></span></p> <p class="MsoNormal"><span style="font-size: 10pt;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt;">Armed with deep pockets and the best of intentions, the partner (James Cromwell) enlists former Jurassic World staffers Claire (Bryce Dallas Howard) and Owen (Chris Pratt) to round up as many dinosaurs as possible for transfer to a sanctuary.<span> </span>Joined by a computer whiz (Justice Smith) to help locate the valuable creatures, they meet up with a gritty capture team headed by Jamie Gumb himself (Ted Levine). They have a, um, <u>different</u> agenda:<span> </span>selling dinosaurs to the highest bidder!<span> </span>Sure enough, a double-cross ensues and the dinosaurs, including many of the most dangerous species, are on their way to an auction deep below the partner*s remote mansion.<span> </span>Here the film combines the best of a Jurassic Park adventure with elements of a haunted house 每 including that trailer clip scene of a carnivore*s giant claw tapping on the floor.<span> </span></span></p> <p class="MsoNormal"><span style="font-size: 10pt;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt;">Howard and Pratt, although strong, are overshadowed by the real ※heroes§ of this film - the incredibly lifelike CGI dinosaurs.<span> </span>In fact, they carry most of the story as the human actors dodge lava explosions and giant snapping jaws. </span></p> <p> </p> <div class="serendipity_imageComment_center" style="width: 450px;"> <div class="serendipity_imageComment_img"><!-- s9ymdb:9714 --><img class="serendipity_image_center" src="/fbe/uploads/jurassicworldb.jpg" width="450" height="189" /></div> <div class="serendipity_imageComment_txt">Photo Credit: Universal Pictures and Amblin Entertainment, Inc. and Legendary Pictures Productions, LLC. </div> </div> <p>&#160;</p> <p class="MsoNormal"><span style="font-size: 10pt;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt;">Director J.A. Bayona (<em>A Monster Calls</em>) keeps the action swift and unrelenting 每 although he slows it enough to include a haunting scene of a doomed brontosaurus left behind on the Island*s dock as the last transport ship pulls out. <span> </span>Jeff Goldblum reprises his role as the eccentric mathematician, Dr. Ian Malcolm 每 although his scenes are confined to a senate hearing room.<span> </span></span></p> <p class="MsoNormal"><span style="font-size: 10pt;"><span> </span></span></p> <p class="MsoNormal"><span style="font-size: 10pt;">While nothing can equal the game-changing impact of the 1993 original, <em>Jurassic World: Fallen Kingdom</em> is another high-octane installment of what will undoubtedly be a long and successful franchise.</span></p> <p class="MsoNormal"><span style="font-size: 10pt;"> </span></p> <p class="MsoNormal"><strong><span style="font-size: 10pt;">Jurassic World: Fallen Kingdom opens nationwide on Friday, June 22 From Universal Pictures.</span></strong></p> <p 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/fbe/index.php?/archives/10107-guid.html http://creativecommons.org/licenses/by/3.0/ "RAMPAGE": CINEMA RETRO'S MARK CERULLI COVERS THE L.A. PRESS JUNKET https://www.google.com//fbe/index.php?/archives/10029-RAMPAGE-CINEMA-RETROS-MARK-CERULLI-COVERS-THE-L.A.-PRESS-JUNKET.html Mark Cerulli /fbe/index.php?/archives/10029-RAMPAGE-CINEMA-RETROS-MARK-CERULLI-COVERS-THE-L.A.-PRESS-JUNKET.html#comments /fbe/wfwcomment.php?cid=10029 0 /fbe/rss.php?version=2.0&type=comments&cid=10029 nospam@example.com (Cinema Retro) <p> </p> <div class="serendipity_imageComment_center" style="width: 450px;"> <div class="serendipity_imageComment_img"><!-- s9ymdb:9616 --><img class="serendipity_image_center" src="/fbe/uploads/rampagejunk2.jpeg" width="450" height="338" /></div> <div class="serendipity_imageComment_txt">Left to right: Stars Dwayne Johnson, Naomie Harris, Jeffrey Dean Morgan, Malin Akerman, Joe Manganiello and director Brad Peyton at the Warner Bros. junket. (Photo: copyright Mark Cerulli. All rights reserved.)</div> </div> <p> </p> <p><strong>BY MARK CERULLI</strong></p> <p><!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>JA</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> <w:UseFELayout/> </w:Compatibility> <w:DoNotOptimizeForBrowser/> 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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Body Text Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="List Continue"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="List Continue 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="List Continue 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="List Continue 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="List Continue 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Message Header"/> <w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Salutation"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Date"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Body Text First Indent"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Body Text First Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Note Heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Body Text 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Body Text 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Body Text Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Body Text Indent 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Block Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Hyperlink"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="FollowedHyperlink"/> <w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/> <w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Document Map"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Plain Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="E-mail Signature"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="HTML Top of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="HTML Bottom of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Normal (Web)"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="HTML Acronym"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="HTML Address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="HTML Cite"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="HTML Code"/> <w:LsdException 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Name="Outline List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Outline List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Simple 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Simple 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Simple 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Classic 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Classic 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Classic 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Classic 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Colorful 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Colorful 2"/> <w:LsdException 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UnhideWhenUsed="true" Name="Table Grid 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Grid 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Grid 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Grid 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table 3D effects 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table 3D effects 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table 3D effects 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Contemporary"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Elegant"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Professional"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Subtle 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Subtle 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Web 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Web 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Web 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Balloon Text"/> <w:LsdException Locked="false" Priority="39" Name="Table Grid"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Theme"/> <w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/> <w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading"/> <w:LsdException Locked="false" Priority="61" Name="Light List"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/> <w:LsdException Locked="false" SemiHidden="true" Name="Revision"/> <w:LsdException Locked="false" Priority="34" QFormat="true" Name="List Paragraph"/> <w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/> <w:LsdException Locked="false" Priority="30" QFormat="true" Name="Intense Quote"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/> <w:LsdException 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Locked="false" Priority="46" Name="Grid Table 1 Light Accent 3"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/> <w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful Accent 3"/> <w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light Accent 4"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/> <w:LsdException Locked="false" Priority="51" Name="Grid Table 6 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Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/> <w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful Accent 6"/> <w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful Accent 6"/> <w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/> <w:LsdException Locked="false" Priority="47" Name="List Table 2"/> <w:LsdException Locked="false" Priority="48" Name="List Table 3"/> <w:LsdException Locked="false" Priority="49" Name="List Table 4"/> <w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/> <w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/> <w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/> <w:LsdException Locked="false" Priority="46" Name="List Table 1 Light Accent 1"/> <w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/> <w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/> <w:LsdException Locked="false" 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he used to wrestle for the WWE, Dwayne ※The Rock§ Johnson would ask, ※Can you smell what The Rock is cooking?§<span> </span>Well, his latest big screen blowout, <em>Rampage</em> smells a lot like jet fuel 每 there are more smashed planes and helicopters in this film than in ten <em>Godzilla</em> movies combined.</span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">Based on the 1980s video game of the same name, the big screen version features not one, not two, but THREE hyper-deadly creatures making a beeline for downtown Chicago. <span> </span>Johnson plays a zoo primatologist who prefers animals to people, reluctantly teaming with a lovely geneticist (Naomie Harris) to stop them. <span> </span>Although Johnson is the movie*s star, he shares the screen with an even bigger hero: <span> </span>a massive gorilla named ※George§. ※They*re a lot alike,§ director Brad Peyton said, ※They*re both funny, they*re both alpha males and they*re both the biggest guy in every room.§ <em>Rampage</em> is Johnson*s third collaboration with Peyton, who previously directed him in <em>San Andreas</em> and <em>Journey 2: Mysterious Island</em>.<span> </span><span> </span>Ahead of the film*s debut, Warner Bros staged an elaborate press junket at a Hollywood studio where key cast and crewmembers talked about the film#</span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">※The conceit of this idea is a ridiculous one, ※Johnson told the assembled crowd of reporters, ※Three gigantic monsters destroying the city of Chicago# we took a lot of swings at it to make it fun and give the story an anchor in heart and soul, which is my relationship with my best friend 每 this rare, gigantic albino gorilla.§ </span></p> <p> </p> <div class="serendipity_imageComment_center" style="width: 450px;"> <div class="serendipity_imageComment_img"><!-- s9ymdb:9617 --><img class="serendipity_image_center" src="/fbe/uploads/rampagejunk.jpeg" width="450" height="338" /></div> <div class="serendipity_imageComment_txt">(Photo: copyright Mark Cerulli. All rights reserved.)</div> </div> <p> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">※We wanted to make a monster movie that would stand the test of time,§ Johnson continued. ※There*s been a lot of great ones 每 <em>King Kong, Godzilla</em>, even <em>Jurassic Park</em> I*d include 每 so we wanted to raise the bar, even a little bit and anchor it in a relationship.§<span> </span>Since George, the gorilla, exhibits many human-like qualities and has a deep bond with Johnson*s character, he goes all out to save him from the inevitable military hardware brought out to take the huge ape down.<span> </span>Special note should be made of the remarkable visuals created by New Zealand-based Weta Digital, which has a long history of creating amazing effects in blockbusters like <em>Avatar</em>, <em>Justice League</em> and <em>War For The Planet Of The Apes</em>.</span></p> <p><!-- s9ymdb:9618 --><img class="serendipity_image_center" src="/fbe/uploads/rampage1.jpeg" width="450" height="300" /> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p>&#160;(Photo courtesy Warner Bros.) <br /></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">The film gives Naomie Harris 每 who Cinema Retro readers know as Moneypenny in the Daniel Craig Bonds 每 a chance to get out of MI6 to dodge falling buildings and gigantic creatures, an experience that was well out of her acting comfort zone:<span> </span>※This was reacting to tennis balls and I was absolutely terrified,§ Harris says with a laugh, referring to the weeks of complex green screen work she had to do to dodge said giant monsters.<span> </span>Luckily, her amiable co-star came to the rescue:<span> </span>※I had to lean on Dwayne, he*s the master of this and I was completely lost in the beginning.§</span></p> <p> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">※It*s odd that my comfort zone is destruction,§ Johnson added, which got a big laugh.<span> </span>And destruction there is 每 from a space station spinning high above the earth to Chicago*s Magnificent Mile being torn up, <em>Rampage</em> is a fast-moving visual feast, which the cast doesn*t take too seriously and neither should the audience.<span> </span>Instead <em>Rampage</em> is a ride meant to be enjoyed# <span> </span>As the movie*s director summed up: ※What I*ve learned from him (Dwayne) is &When you get up to the plate, try and hit a grand slam.* As a Canadian, I wasn*t trained to think like that, but this gigantic Hawaiian dude really knows how to do this right!§</span></p> <p><!-- s9ymdb:9619 --><img class="serendipity_image_center" src="/fbe/uploads/rampage2.jpeg" width="450" height="188" /> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p> (Photo courtesy Warner Bros.) </p> <p class="MsoNormal"><em><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">Rampage</span></em><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> roars into theaters Friday, April 13<sup>th</sup>, from Warner Bros. Pictures. <a href="http://www.rampagethemovie.com/home">Click here</a> to visit official site. <br /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"><span> </span>####</span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <br /> <p> </p> Wed, 11 Apr 2018 21:36:00 +0000 /fbe/index.php?/archives/10029-guid.html http://creativecommons.org/licenses/by/3.0/ FILM REVIEW: "TOMB RAIDER" STARRING ALICIA VIKANDER; FROM WARNER BROS. AND MGM https://www.google.com//fbe/index.php?/archives/10002-FILM-REVIEW-TOMB-RAIDER-STARRING-ALICIA-VIKANDER;-FROM-WARNER-BROS.-AND-MGM.html Mark Cerulli /fbe/index.php?/archives/10002-FILM-REVIEW-TOMB-RAIDER-STARRING-ALICIA-VIKANDER;-FROM-WARNER-BROS.-AND-MGM.html#comments /fbe/wfwcomment.php?cid=10002 0 /fbe/rss.php?version=2.0&type=comments&cid=10002 nospam@example.com (Cinema Retro) <p> </p> <div class="serendipity_imageComment_center" style="width: 450px;"> <div class="serendipity_imageComment_img"><!-- s9ymdb:9582 --><img class="serendipity_image_center" src="/fbe/uploads/tombraider.jpeg" width="450" height="189" /></div> <div class="serendipity_imageComment_txt">Photo: Courtesy of Warner Bros. <br /></div> </div> <p> </p> <p><strong>BY MARK CERULLI</strong></p> <p><!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--></p> <p><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> 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UnhideWhenUsed="true" Name="Smart Hyperlink"/> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <style> /<strong> Style Definitions </strong>/ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Cambria",serif; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin;} </style> <![endif]--> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">There*s a new Tomb Raider in town and she*s not# well#<span> </span>she*s not your older brother*s <em>Tomb Raider</em>.<span> </span>Gone is the statuesque, pistol-packing Angelina Jolie of the iconic video game character*s first movie incarnation.<span> </span>Alicia Vikander*s Lara Croft is pared down to the essentials - a dangerous tomboy who is smart, feisty and tough as nails. </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">When we meet <em>this </em>Lara Croft she*s broke, toiling as a London bicycle messenger, getting her ass kicked in MMA training and still reeling from the disappearance of her father (Dominic West) seven years ago.<span> </span>He had vanished exploring a mysterious island off the coast of Japan. When she discovers the key to his hidden workroom, she becomes hooked on his quest and decides to follow his trail all the way to the jungle tomb he was desperately trying to keep from ever being opened. <span> </span><span> </span></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">Directed by the aptly named Finnish director, Roar Uthaug, the film starts off at a breakneck pace and rarely slows.<span> </span>The action moves like a bullet train from a bike chase in Central London to a Hong Kong dock melee and then on to a remote island as forbidding and dangerous as the one King Kong calls home.<span> </span>There, Croft encounters her father*s nemesis 每 a shadowy organization called Trinity which is laser-focused on finding the final resting place of an ancient Queen known as ※The Mother of Death.§<span> </span>Their archaeological dig is run by a psychotic thug played with real verve by Walton Goggins (<em>Justified</em>), who could clearly give Hannibal Lecter a run for his money.<span> </span>When he steals Croft*s father*s journal, the path to the tomb and its hideous contents is revealed and the final battle begins.</span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">Vikander is fit and relentless, yet vulnerable for an action hero 每 when she takes a beating, you feel it.<span> </span>The amount of training Ms. Vikander had to endure for the role must have been epic.<span> </span>As the New York Times* review pithily noted, she has ※a washboard stomach you could play the blues on.§<span> </span>(Sorry, that was too sweet not to reuse!) Cinematographer George Richmond makes great use of the lush South African scenery, and his zooming camerawork flies through jungle canopies and ancient tombs with equal finesse.</span></p> <p> </p> <iframe src="https://www.youtube.com/embed/3KkhD0MnaJU" allow="autoplay; encrypted-media" width="560" height="315" frameborder="0"></iframe> <p> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">While Vikander*s Lara Croft isn*t as snide or as sexualized as her predecessor, hers is a strong debut and like Daniel Craig*s Bond, she*ll make this iconic character her own.</span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">TOMB RAIDER&#160; is released by Warner Bros. and MGM. The film makes its North American debut on Friday, March 16. <br /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"><span> </span></span></p> <br /> <p> </p> Fri, 16 Mar 2018 01:49:41 +0000 /fbe/index.php?/archives/10002-guid.html http://creativecommons.org/licenses/by/3.0/ REVIEW: "SCREAM AND SCREAM AGAIN" (1970) STARRING VINCENT PRICE, CHRISTOPHER LEE AND PETER CUSHING; TWILIGHT TIME BLU-RAY SPECIAL EDITION https://www.google.com//fbe/index.php?/archives/9979-REVIEW-SCREAM-AND-SCREAM-AGAIN-1970-STARRING-VINCENT-PRICE,-CHRISTOPHER-LEE-AND-PETER-CUSHING;-TWILIGHT-TIME-BLU-RAY-SPECIAL-EDITION.html Mark Cerulli /fbe/index.php?/archives/9979-REVIEW-SCREAM-AND-SCREAM-AGAIN-1970-STARRING-VINCENT-PRICE,-CHRISTOPHER-LEE-AND-PETER-CUSHING;-TWILIGHT-TIME-BLU-RAY-SPECIAL-EDITION.html#comments /fbe/wfwcomment.php?cid=9979 0 /fbe/rss.php?version=2.0&type=comments&cid=9979 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:9547 --><img 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Locked="false" Priority="51" Name="List Table 6 Colorful Accent 6"/> <w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful Accent 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Mention"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Smart Hyperlink"/> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <style> /<strong> Style Definitions </strong>/ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Cambria",serif; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin;} </style> <![endif]--> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">Like the old saying goes, ※You can*t go home again.§<span> </span>Having seen <em>Scream And Scream Again</em> decades ago, I remembered it as being thrilling and suspenseful... now, 47 years (!) after its release, not so much.<span> </span>The story is a hodgepodge of sci-fi and social commentary as a brusque police inspector (Alfred Marks) and a curious doctor (Christopher Matthews) investigate the brutal deaths of several young women, eventually connecting them to a scientist (Vincent Price) who is creating synthetic humans using body parts from unwilling live donors.<span> </span>Christopher Lee is the head of British Intelligence, whose agency is 每 I think 每 secretly funding the experiments.<span> </span>A subplot with a sadistic official (Marshall Jones) from a fictional Eastern European nation (think East Berlin) in collusion with the Brits is also in the mix. (In an interview years later, even Vincent Price admitted he didn*t know what the film was <em>really</em> about!)</span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">Ably directed by Gordon Hessler, who made a number of Price Edgar Allen Poe films including <em>The Oblong Box</em>; <em>Scream And Scream Again</em> is a time capsule of late 60s England:<span> </span>there are several nightclub scenes featuring the then-popular Welsh band Amen Corner singing away, with audience members gamely trying to look hip# one guesses the object here was to contemporize things: <em>※Look Kids! No more stodgy castles!§ </em><span> </span>Still, there is a lot to recommend the film 每 the opening sequence of a hapless jogger running through London, waking up several times to find more and more of his limbs being removed is as effective now as it was in 1970, and Hessler*s use of hand-held camera to put the audience IN the action was innovative for its time.<span> </span>Another standout sequence is a wonderful faceoff between a nattily dressed Lee and Jones in Trafalgar Square. (Jones* knit pom-pom cap remains a bold wardrobe choice for a hulking villain!)</span></p> <p><!-- s9ymdb:9548 --><img class="serendipity_image_center" src="/fbe/uploads/screamagain2.jpg" width="450" height="582" /> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">Both Price and Lee are at the top of their game and if you*re a Christopher Lee fan, there are many loving close-ups of his sneering visage. Unfortunately the wonderful Peter Cushing is used in only one scene 每 blink and he*s gone.<span> </span>According to filmmaking lore, Vincent Price insisted on doing his death scene (sinking into a vat of acid) himself.<span> </span>The harsh chemicals used in the fluid caused him serious sinus problems for years.</span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: &quot;Verdana&quot;, sans-serif;">The Twilight Time DVD release is welcome for overcoming some longtime rights issues and returning the original music to the film. The colors are crisp in 1080p HD and the DVD is loaded with extras including a 23-minute documentary, <em>Gentleman Gothic: Gordon Hessler At AIP, </em>which features an interview with Hessler, who passed in 2014, as well as film historians discussing his work.<span> </span>There is also a still file, radio spot, original trailer (which erroneously identifies actor Marshall Jones as the iconic Peter Cushing!) and a subtitled interview with German actress Uta Levka, who played the impersonal ※composite§ nurse in the film and an illustrated booklet with liner notes by historian Julie Kirgo.<span> </span>It*s safe to say, this will forever be <em>the </em>definitive release of <em>Scream and Scream Again</em>!.</span></p> <p>This is a region-free,&#160; limited edition of 3,000 units. <a href="https://www.twilighttimemovies.com/scream-and-scream-again-blu-ray/">Click here</a> to order.&#160; <br /></p> <br /> <p> </p> Wed, 28 Feb 2018 14:34:00 +0000 /fbe/index.php?/archives/9979-guid.html http://creativecommons.org/licenses/by/3.0/ OSCAR WATCH: JORDAN PEELE'S "GET OUT" (2017) STARRING DANIEL KALUUYA https://www.google.com//fbe/index.php?/archives/9550-OSCAR-WATCH-JORDAN-PEELES-GET-OUT-2017-STARRING-DANIEL-KALUUYA.html Mark Cerulli /fbe/index.php?/archives/9550-OSCAR-WATCH-JORDAN-PEELES-GET-OUT-2017-STARRING-DANIEL-KALUUYA.html#comments /fbe/wfwcomment.php?cid=9550 0 /fbe/rss.php?version=2.0&type=comments&cid=9550 nospam@example.com (Cinema Retro) <iframe src="https://www.youtube.com/embed/sRfnevzM9kQ" allow="autoplay; encrypted-media" width="560" height="315" frameborder="0"></iframe> <p><!-- s9ymdb:8936 --><br /> </p> <p> <strong>A LOOK AT 2017 FILMS NOMINATED FOR PROMINENT OSCARS</strong></p> <p>(This review originally ran during the film's initial theatrical release in 2017)<br /></p> <p> </p> <p><strong>BY MARK CERULLI&#160;</strong></p> <p> </p> <p> <span style="font-family: Verdana, sans-serif; font-size: 10pt;">This so could have been a by-the-numbers genre movie: ※</span><em style="font-family: Verdana, sans-serif; font-size: 10pt;">Sensitive boyfriend goes to meet hot girlfriend*s parents in secluded country home and mayhem ensues#§</em><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> and that*s exactly what happens in </span><em style="font-family: Verdana, sans-serif; font-size: 10pt;">Get Out</em><span style="font-family: Verdana, sans-serif; font-size: 10pt;">, the new thriller from writer/director Jordan Peele, but in a totally unexpected way.</span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">The film<em> </em>turns every horror trope on its head while tackling racist stereotypes along the way. Daniel Kaluuya is excellent as Chris, an aspiring young photographer who happens to be black. His beautiful, Ivy League-ish girlfriend, Rose (Allison Williams from HBO*s <em>Girls</em>) is bringing him home to meet her parents for the first time 每 a momentous occasion in any new relationship but even more so when it*s interracial, a fact the movie meets head on. Once at the family estate, Chris feels that something is truly off 每 from the mind-gaming father (Bradley Whitford) and his spooky psychiatrist wife (Catherine Keener) to Rose*s hostile brother (Caleb Landry Jones). Their all black staff goes out of their way to tell Chris how happy they are to be there, which just makes him more uncomfortable. And then there*s the family gathering Rose forgot to tell him about, where cousins and uncles leer at Chris as if he*s on display, making clueless, subtly racist comments in a perfect sendup of East Coast liberal elitism. Chris gamely endures all this while Rose seems genuinely mortified 每 but it*s all an act! Chris has been brought there for a sinister purpose and after Rose*s mom slyly hypnotizes him, that purpose is revealed and <em>Get Out</em> moves into high gear.</span></p> <p><!-- s9ymdb:8937 --><img class="serendipity_image_center" src="/fbe/uploads/Get_Out-2.jpeg" width="450" height="300" /> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Writer/director Peele, who made his name acting and writing in comedies like <em>MAD TV</em> and <em>Keanu</em>, deftly blends laughs and horror, all leading up to a truly innovative climax as Chris desperately tries to escape. Daniel Kaluuya (<em>Sicario</em>) is spot on as a budding artist trying to navigate a difficult social situation. Allison William*s Rose is appropriately seductive and Milton ※Lil Rel§ Howery is hysterical as Chris* loyal wingman, Rod, a TSA Agent who investigates when his friend goes missing. Produced by genre hitmeister Jason Blum (<em>Paranormal Activity, Split, The Purge</em>), <em>Get Out</em> is a mystery thriller that truly delivers while skewering today*s pervasive racial stereotypes. It*s also is a stunning directorial debut for Jordan Peele, who will doubtlessly be able to work in whatever genre he chooses.</span></p> <p><strong><a href="http://www.amazon.com/exec/obidos/ASIN/B06WWK4PT2/cinemaretroco-20">CLICK HERE</a> TO ORDER FROM AMAZON</strong> <br /></p> Sun, 25 Feb 2018 14:28:00 +0000 /fbe/index.php?/archives/9550-guid.html http://creativecommons.org/licenses/by/3.0/ FILM REVIEW: "THE SNOWMAN" (2017) STARRING MICHAEL FASSBENDER https://www.google.com//fbe/index.php?/archives/9849-FILM-REVIEW-THE-SNOWMAN-2017-STARRING-MICHAEL-FASSBENDER.html Mark Cerulli /fbe/index.php?/archives/9849-FILM-REVIEW-THE-SNOWMAN-2017-STARRING-MICHAEL-FASSBENDER.html#comments /fbe/wfwcomment.php?cid=9849 0 /fbe/rss.php?version=2.0&type=comments&cid=9849 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:9350 --><img class="serendipity_image_center" width="450" height="237" src="/fbe/uploads/snowman-gallery1-596e535bb856a-1.png" /> </p> <p><strong>BY MARK CERULLI</strong></p> <p> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Michael Fassbender plays a Norwegian detective with the high school bully magnet name of ※Harry Hole§ on the icy trail of a serial killer who always leaves a snowman at his crime scenes.&#160; Based on the, um, Hole literary series by Norwegian writer Jo Nesb?, the thriller also stars Rebecca Ferguson as a damaged policewoman trying to solve the crimes, Oscar-winner J.K. Simmons as a creepy industrialist and, curiously, Val Kilmer as an alcoholic detective who first opens up the case. (Kilmer*s rumored bout with cancer has sadly taken a toll as the actor looks nothing like the blonde Adonis he was in <em>Top Gun</em> and <em>Batman Forever</em>. It also sounded like he was dubbed throughout.) Although the Nordic scenery looks bleakly majestic due to Dion Beebe*s stunning cinematography and soaring helicopter shots, the plot twists and turns into a slushy mess. <o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p><span style="font-family: Verdana, sans-serif; font-size: 10pt;">Directed by Swedish filmmaker Tomas Alfredson (</span><em style="font-family: Verdana, sans-serif; font-size: 10pt;">Tinker, Tailor, Soldier, Spy</em><span style="font-family: Verdana, sans-serif; font-size: 10pt;">), </span><em style="font-family: Verdana, sans-serif; font-size: 10pt;">The Snowman</em><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> careens along several avenues of investigation in an effort to add layers of complexity# but promising leads fizzle out and a sex trafficking subplot seems to die on the vine. </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">(There*s also an intruder scene in the detective*s shabby apartment that makes no sense.) All that said, </span><em style="font-family: Verdana, sans-serif; font-size: 10pt;">The Snowman</em><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> is not a total loss as it has some gripping moments and Fassbender is, as always, a powerful screen presence.</span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">For the gore fans, the shadowy killer employs a unique and gruesome mechanical device to dispatch his victims.</span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">Fassbender must have sacrificed half a lung to play the heavy-smoking Harry Hole (!), but if that character were the Stage 4 lush portrayed on the screen, how could he function so effectively, noticing subtle clues and putting the pieces together?</span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">That also didn*t quite wash. </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><em style="font-family: Verdana, sans-serif; font-size: 10pt;">The Snowman</em><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> is a big budget, well-made film with an impressive scope and feel, but somehow it left me a bit# cold.</span> </p> Sat, 04 Nov 2017 13:46:00 +0000 /fbe/index.php?/archives/9849-guid.html http://creativecommons.org/licenses/by/3.0/ REVIEW: "THE MUMMY" (2017) STARRING TOM CRUISE; UNIVERSAL DUAL FORMAT SPECIAL EDITION https://www.google.com//fbe/index.php?/archives/9806-REVIEW-THE-MUMMY-2017-STARRING-TOM-CRUISE;-UNIVERSAL-DUAL-FORMAT-SPECIAL-EDITION.html Mark Cerulli /fbe/index.php?/archives/9806-REVIEW-THE-MUMMY-2017-STARRING-TOM-CRUISE;-UNIVERSAL-DUAL-FORMAT-SPECIAL-EDITION.html#comments /fbe/wfwcomment.php?cid=9806 0 /fbe/rss.php?version=2.0&type=comments&cid=9806 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:9279 --><img class="serendipity_image_center" src="/fbe/uploads/mummyblu.jpg" width="450" height="579" /> </p> <p><strong>BY MARK CERULLI</strong> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">For years, every studio salivated over Marvel*s profit machine where iconic characters jump in and out of each other*s films. To get in on the action, Universal mined their monster vaults by creating the Dark Universe franchise. The first entry was <em>The Mummy</em> starring Tom Cruise, Annabelle Wallis and Russell Crowe (as Dr. Henry Jekyll). Directed by Alex Kurtzman, the film also starred Algerian stunner Sofia Boutella as the title creature, who is light years away from Karloff*s 1932 creation.<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">The film stirred a pot o fan controversy when it was announced because of, well# <em>Tom Cruise in a horror movie?</em> Not to worry, he dove into the hero role with his trademark enthusiasm and ageless good looks, doing stunts that would leave any other mortal in a coma or full body cast. The film is entertaining; it*s a popcorn ride, full of beautiful scenery and state-of-the art visual effects, and Boutella steals the show as the sensuous 5,000 year-old Egyptian Princess who is pure evil.</span></p> <p><!-- s9ymdb:9095 --><img class="serendipity_image_center" src="/fbe/uploads/MUMMYF.jpg" width="450" height="187" /> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Along with their $125 million film, Universal packed a sarcophagus full of extras on the 2-disc, dual format set that also includes a digital download version. Extras in the set include:<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Deleted Scenes<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Creating The Plane Crash (in Zero G)<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Meet Ahmanet<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Cruise In Action<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">And others 每 adding up to over an hour of bonus material. Say what you will about Tom Cruise doing horror, <em>The Mummy</em> featured spectacular sets and some of the best action sequences this side of a James Bond movie. (And the vicious sandstorm taking out London*s financial district is a show stopper.) Universal*s first plunge into their Dark Universe is definitely worth your time 每 and you might as well get familiar with it because, if the studio has its way, <em>The Mummy</em> is just the tip of the dark iceberg: <em>The Bride of Frankenstein</em> (with Javier Bardem as The Monster) is already in the works as is <em>The Invisible Man</em> (with Johnny Depp no less).</span></p> <p>(For Mark Cerulli's review of the film's theatrical release, <a href="/fbe/index.php/archives/9676-MARK-CERULLI-REVIEWS-THE-MUMMY-STARRING-TOM-CRUISE.html">click here</a>).</p> <p><strong><a href="http://www.amazon.com/exec/obidos/ASIN/B0725X1SL7/cinemaretroco-20">CLICK HERE</a> TO ORDER FROM AMAZON</strong> </p> <p> </p> Sun, 01 Oct 2017 13:38:00 +0000 /fbe/index.php?/archives/9806-guid.html http://creativecommons.org/licenses/by/3.0/ TECHNICOLOR UNVEILS CUTTING EDGE VR TEC CENTER https://www.google.com//fbe/index.php?/archives/9693-TECHNICOLOR-UNVEILS-CUTTING-EDGE-VR-TEC-CENTER.html Mark Cerulli /fbe/index.php?/archives/9693-TECHNICOLOR-UNVEILS-CUTTING-EDGE-VR-TEC-CENTER.html#comments /fbe/wfwcomment.php?cid=9693 0 /fbe/rss.php?version=2.0&type=comments&cid=9693 nospam@example.com (Cinema Retro) <p> <div class="serendipity_imageComment_center" style="width: 450px;"> <div class="serendipity_imageComment_img"><!-- s9ymdb:9121 --><img class="serendipity_image_center" width="450" height="338" src="/fbe/uploads/techsarnoff.jpeg" /></div> <div class="serendipity_imageComment_txt">Tim Sarnoff Technicolor's President of Production, addresses attendees. </div> </div> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"><strong>By Mark Cerulli</strong><o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">The energy was building, the drones were flying and the mood was celebratory as Technicolor officially opened its brand-new Culver City TEC Center dedicated to the brave new worlds of VR (virtual reality), AR (augmented reality) and other immersive media platforms.<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">The official name is ※Technicolor Experience Center§, and it*s been having a ※soft§ opening for almost a year, but now the doors are <em>really</em> open... The facility is a collaborative lab and incubator to develop future content and delivery platforms in the Immersive media space. ※The TEC is really a work in progress,§ explains Marcie Jastrow, Technicolor*s SVP Immersive Media and the executive in charge of the Center. ※It*s a safe place for people to come and learn. It*s part education, part production and part post-production.§ Although Technicolor is the parent company of hot VFX shops The Mill, MPC and Mr. X, which combined work on fully 80% of Hollywood blockbusters and 50% of Super Bowl spots, the TEC is agnostic 每 meaning they welcome all producers and projects.</span></p> <p><span style="font-family: Verdana, sans-serif; font-size: 10pt;">Mention ※Technicolor§ and most people think old time movie color, but as Tim Sarnoff, Technicolor*s President of Production points out, ※We processed our last foot of film in 2015, we*ve been growing in the digital space for years.§ Technicolor owns over 40,000 patents and is ubiquitous today. ※Everyone touches something that involves Technicolor,§ says Sarnoff, ※# from your smartphone, TV, set-top boxes, blockbuster movies to Super Bowl commercials.§</span></p> <p><!-- s9ymdb:9122 --><img class="serendipity_image_center" width="450" height="338" src="/fbe/uploads/techniparty.jpeg" /> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">One cool item on display was ※The Blackbird§ a VR vehicle designed by The Mill that has been transforming auto advertising because it can mimic almost any type of car and its unique 3D camera rig can capture a virtual version of any environment. Along with making auto ad shoots easier, The Blackbird (named because it was built in the very same hangar where the legendary spy plane, SR-71, was constructed) can also help automotive designers envision a new vehicle much earlier in the design process.<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Over 400 people crowded Technicolor*s new space 每 designers, directors, executives from gaming, TV, film studios and technologists, all curious about the night*s <u>other</u> big announcement: Technicolor and HP*s new collaboration: MARS Home Planet, an ambitious project to use VR to design a life-sustaining environment for 1 million humans on the Martian surface. Hopefully we don*t have to flee Mother Earth just yet (!) but this will be a vast experiment where students and members of the public worldwide are invited to participate.</span></p> <p> <div class="serendipity_imageComment_center" style="width: 450px;"> <div class="serendipity_imageComment_img"><!-- s9ymdb:9123 --><img class="serendipity_image_center" width="450" height="338" src="/fbe/uploads/techblackbirdvrvehicle.jpeg" /></div> <div class="serendipity_imageComment_txt">Blackbird VR vehicle. </div> </div> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">※We wanted to tap into the collective human imagination and inspiration to reinvent life on another planet#§ enthuses Sean Young, HP*s Worldwide Segment Manager, Product Development. He also pointed out that while HP is known for its printers, they*ve been working in the film and media space for 75 years, starting with building a color grader for Walt Disney*s <em>Fantasia</em>. <o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">MARS Home Planet uses NASA*s research and footage of the Martian surface to create a realistic backdrop for engineers, creatives, scientists and others to reimagine what human life on another planet could be. Wanna be an astronaut? Go to <a href="http://www8.hp.com/us/en/campaigns/mars/index.html#!&amp;live-on-mars-anchor%3Fjumpid=cp_r11260_us%2Fen%2Fworkstations%2Fmars%2Flearnmore">hp.com/go/mars</a>. The first 10,000 explorers get a download code for the Fusion Mars 2030 VR Experience.<o:p /></span></p> Sat, 17 Jun 2017 15:34:26 +0000 /fbe/index.php?/archives/9693-guid.html http://creativecommons.org/licenses/by/3.0/ MARK CERULLI REVIEWS "THE MUMMY" STARRING TOM CRUISE https://www.google.com//fbe/index.php?/archives/9676-MARK-CERULLI-REVIEWS-THE-MUMMY-STARRING-TOM-CRUISE.html Mark Cerulli /fbe/index.php?/archives/9676-MARK-CERULLI-REVIEWS-THE-MUMMY-STARRING-TOM-CRUISE.html#comments /fbe/wfwcomment.php?cid=9676 0 /fbe/rss.php?version=2.0&type=comments&cid=9676 nospam@example.com (Cinema Retro) <iframe width="560" height="315" src="https://www.youtube.com/embed/vJxgxVH0Fsk" frameborder="0"></iframe> <p><strong>BY MARK CERULLI</strong></p> <p> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Anyone who grew up in the 1970s fondly remembers ※Chiller Theater§ playing on WPIX in the NY area.&#160; Chiller introduced me to all the Universal classics 每 <em>Dracula, Frankenstein, The Wolfman</em> and, of course, Karloff*s 1932 addition, <em>The Mummy</em>. Universal*s new re-imagining of their beloved classic isn*t that Mummy, not by a long shot每 but we*re in a different time and a different world, so why not?<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">This new <em>Mummy</em> stars Tom Cruise as Nick Morton, an Army commando/antiquities raider who finds and sells priceless relics on the black market. He*s stolen a map from a lovely, combative British archaeologist (Annabelle Wallis) that leads him to modern day, ultra dangerous Iraq. After he and his Army bro (Jake Johnson) call in an airstrike to save them from insurgents, a missile blast reveals the hidden tomb of Ahmanet, an Egyptian Princess who murdered her immediate family in a quest for power. Her punishment was being buried alive 每 in a vat of mercury, which the ancient Egyptians believed prevented her evil spirit from escaping. Tom Cruise inadvertently raises her and all Hell breaks loose 每 literally.</span></p> <p><!-- s9ymdb:9095 --><img class="serendipity_image_center" width="450" height="187" src="/fbe/uploads/MUMMYF.jpg" /> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Stunning Algerian actress Sofia Boutella (the legless assassin from <em>Kingsman: The Secret Service</em>) plays our new Mummy 每 it was a bold choice, but the ONLY one director Alex Kurtzman could make as no one could out-Karloff Karloff. Boutella is menacing, seductive and a screen presence who can more than hold her own with Tom Cruise.<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">The film has already received a drubbing from some critics and die-hard monster fans. They took issue with Tom Cruise*s casting and the filmmakers* use of CGI. While I was surprised to hear that Cruise had signed on, <em>The Mummy</em> is something different from his usual action hero chores and he embraced it with his trademark enthusiasm. He convincingly plays a macho military guy fighting against Ahmanet*s spell, trying to win back the archeologist <u>and</u> save the world from the princess* zombie hordes. (Did I mention she can raise the dead?) While the filmmakers <em>did</em> use CGI, the work by Technicolor*s MPC is, as expected, top notch 每 from sandstorms blowing through London*s Financial District, to attacking camel spiders and dead Crusaders stalking the London Underground. <o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">So we have a new, female Mummy, we have global icon Tom Cruise, we have zombies, chases and car crashes. What*s the <em>only</em> thing missing? A frame to hang it and future monster movies on. Well, the filmmakers thought of that too: enter ※Prodigium§, a super secret organization dedicated to wiping out evil and it*s hot on The Mummy*s trail. Prodigium is run by# um# Dr. Henry Jekyll. Cue the needle skip sound!</span></p> <p><!-- s9ymdb:9096 --><img class="serendipity_image_center" width="450" height="204" src="/fbe/uploads/mummyd.jpg" /> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p><span style="font-family: Verdana, sans-serif; font-size: 10pt;">Jekyll, played by Oscar-winner Russell Crowe, is a clue that </span><em style="font-family: Verdana, sans-serif; font-size: 10pt;">The Mummy,</em><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> impressive as it is, is part of something bigger 每 the Dark Universe, Universal*s reinvigorated monster franchise.</span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">Take a deep breath and step back# unless you*ve been buried alive for the last decade, Hollywood is, for better or worse, in the mega franchise business:</span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><em style="font-family: Verdana, sans-serif; font-size: 10pt;">Iron Man, Thor, Deadpool, Kong, Star Trek, Pirates, Harry Potter, MI, Fast &amp; Furious, Hunger Games, James Bond</em><span style="font-family: Verdana, sans-serif; font-size: 10pt;">, </span><em style="font-family: Verdana, sans-serif; font-size: 10pt;">Jack Reacher, etc</em><span style="font-family: Verdana, sans-serif; font-size: 10pt;">. Why?</span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">Because with rare exceptions, they make boatloads of money.</span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">If you view it in that context, Dr. J*s appearance makes a bit more sense. </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">Crowe is fine as the good doctor and his evil counterpart who gives Cruise a righteous thrashing while trying to enlist him to the dark side, but I kinda wish they hadn*t crossed horror streams, so to speak#</span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">that said, </span><em style="font-family: Verdana, sans-serif; font-size: 10pt;">The Mummy</em><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> is everything you could want from a $120 million film 每 it*s fast, exciting, and impeccably made.</span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">And it isn*t all airless CGI: early on, the military plane transporting Princess Ahmanet*s sarcophagus is hit by a swarm of crows.</span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">The resulting crash was filmed on 16 parabolic flights to show Cruise and Wallis banging around the cabin in Zero G.</span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">There*s a high-speed ambulance crash on the moors of England that practically puts you in the driver*s seat.</span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">Cinematographer Ben Seresin uses the vast Namibian desert to great effect; and love him or hate him, Tom Cruise is a damn good actor. His almost-nude scene reveals he is also as ageless as the Sphinx.</span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">So kick back and enjoy </span><em style="font-family: Verdana, sans-serif; font-size: 10pt;">this</em><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> Mummy.</span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">You*ll always have Karloff*s classic on your DVD shelf.</span> </p> <p> </p> Thu, 08 Jun 2017 19:03:21 +0000 /fbe/index.php?/archives/9676-guid.html http://creativecommons.org/licenses/by/3.0/ "BECOMING BOND" SCREENING WITH GEORGE LAZENBY: CINEMA RETRO'S MARK CERULLI REPORTS https://www.google.com//fbe/index.php?/archives/9654-BECOMING-BOND-SCREENING-WITH-GEORGE-LAZENBY-CINEMA-RETROS-MARK-CERULLI-REPORTS.html Mark Cerulli /fbe/index.php?/archives/9654-BECOMING-BOND-SCREENING-WITH-GEORGE-LAZENBY-CINEMA-RETROS-MARK-CERULLI-REPORTS.html#comments /fbe/wfwcomment.php?cid=9654 0 /fbe/rss.php?version=2.0&type=comments&cid=9654 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:9074 --><img class="serendipity_image_center" width="450" height="253" src="/fbe/uploads/becomingbond.jpeg" /> </p> <p>(The new documentary &quot;Becoming Bond&quot; is now showing on the Hulu network.)</p> <p><strong>BY MARK CERULLI</strong></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Prior to seeing Josh Greenbaum*s illuminating documentary, <em>Becoming Bond</em>, which premiered on HULU May 20<sup>th</sup>, I had dismissed George Lazenby*s mystifying refusal to continue as 007 as just another gullible young actor taking bad career advice; like Tom Selleck passing on <em>Indiana Jones</em>, Travolta nixing <em>Forrest Gump</em>, Thomas Jane handing Don Draper to Jon Hamm# but there*s more to it than that, a lot more as it turns out.<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Cleverly combining interview footage of Lazenby, still hale and hearty at 77, with well-staged recreations, <em>Becoming Bond</em> dives deep into this complicated and impulsive star to understand HOW he could casually dump one of the most coveted roles in the history of film. As it turns out, that decision is symbolic of who George Lazenby really is: intelligent, charming, na?ve but most of all, <u>independent.</u> Lazenby is, and has always been, his own man. From pissing off teachers in grade school, to pursuing a girl from an elite family many social stations above his own, George always did what George wanted to do. Usually documentaries feature others talking about the main subject in order to create a full picture. Early on, director Josh Greenbaum felt Lazenby*s stories were so rich, he wanted to recreate them 每 it was an inspired choice. Australian actor Josh Lawson is perfect as a young George Lazenby, gradually finding his way in the world and effortlessly using his charm and chiseled looks to become a top model. A fluke landed him dinner with a London talent agent (played by <u>real</u> Bond Girl, Jane Seymour) who got him in the door to audition for 007, then George did it HIS way: conning a brusque Harry Saltzman (comedian Jeff Garlin) into handing him the keys to the Bond movie kingdom, then confounding him when he wouldn*t play by his rules. Lazenby did his and Cubby Broccoli*s film, <em>On Her Majesty*s Secret Service</em>, which became a box office hit in 1969 (despite popular belief that the movie bombed.) Suddenly the world 每 and a world of women 每 were at his feet, but it was a lot for a guy from tiny Goulburn, Australia to handle. Maybe too much. Lazenby turned down a one million dollar payment to sign a seven-picture deal, something most actors would give body parts for. Once the Bond producers realized none of the usual leverage worked, they were playing by Lazenby*s rules, which meant there <em>were </em>no rules: George does what George wants. In the end, Lazenby did okay without Bond 每 he made his money in real estate, acted in other films, married, became a father# but oh what might have been.</span></p> <p> </p> <iframe width="560" height="315" src="https://www.youtube.com/embed/xhusQNHU400" frameborder="0"></iframe> <p> </p> <p>After the documentary screening at LA*s delightfully quirky Cinefamily Theater, cast, crew and George himself answered questions, and once again, George was George. When asked if he regretted walking away from Bond, the actor said, ※If I had stayed as James Bond I would have probably had three wives in Beverly Hills, mansions, been a drug addict# that*s the kind of person I would*ve been because it wouldn*t*ve been me.§ He admitted he just didn*t like taking orders. Sitting next to him, actor Josh Lawson perceptively pointed out that, ※the things that caused George to walk away were the things that got him the job in the first place.§ After the Q&amp;A, Hulu threw down an after party with an open (bless them) martini bar. There the cast and Lazenby mingled with guests 每 including this CR scribe. I had met George before, but had forgotten how freakin* big he is in person. (A fellow Bond fan said he was the tallest of all the Bonds.) Shaking his enormous hand reminded me of shaking hands with boxing champ George Foreman during my HBO producer days. No wonder Lazenby knocked out a stuntman during his Bond action screen test. (An act seen in the documentary, followed by Saltzman stepping over the twitching body to tell George, ※We*re going with you.§) Absolutely priceless, all true 每 and pure Lazenby! </p> <p> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Lazenby*s composure is remarkable given how close he came to having it all. In fact, the only time he became visibly emotional was when he discussed the one decision he <u>does</u> regret: giving up the girl of his dreams, a lovely upper class gal named Belinda (wonderfully played by Kassandra Clementi). Like her co-star, Clementi had never met Lazenby until Wednesday*s premiere and she had never even seen <em>On Her Majesty*s Secret Service</em>, which was shown after the festivities. And how did she like it? ※I loved the film,§ Clementi said via her publicist, ※And George Lazenby was unsurprisingly just as captivating and charming as he is today.§ Sounds like a newly-minted Bond fan#<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><br /></p> <p> </p> <br /><a href="/fbe/index.php?/archives/9654-BECOMING-BOND-SCREENING-WITH-GEORGE-LAZENBY-CINEMA-RETROS-MARK-CERULLI-REPORTS.html#extended">Continue reading "&quot;BECOMING BOND&quot; SCREENING WITH GEORGE LAZENBY: CINEMA RETRO'S MARK CERULLI REPORTS "</a> Sat, 20 May 2017 03:08:11 +0000 /fbe/index.php?/archives/9654-guid.html http://creativecommons.org/licenses/by/3.0/ REVIEW: "WESTWORLD", HBO SERIES PREMIERING OCTOBER 2 https://www.google.com//fbe/index.php?/archives/9359-REVIEW-WESTWORLD,-HBO-SERIES-PREMIERING-OCTOBER-2.html Mark Cerulli /fbe/index.php?/archives/9359-REVIEW-WESTWORLD,-HBO-SERIES-PREMIERING-OCTOBER-2.html#comments /fbe/wfwcomment.php?cid=9359 0 /fbe/rss.php?version=2.0&type=comments&cid=9359 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:8723 --><img class="serendipity_image_center" width="450" height="667" src="/fbe/uploads/westworldhbo.jpg" /> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"><strong>By Mark Cerulli</strong><o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Cinema Retro readers no doubt remember Michael Crichton*s classic sci-fi thriller <em>Westworld</em>. Who can forget the chilling spectacle of Yul Brynner 每 sans face 每 stalking a hapless Richard Benjamin? When I heard HBO was ※rebooting§ <em>Westworld</em>, I was skeptical. The word ※Why?§ kept coming to mind. The original was <u>so</u> good, why go there? <o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">I*m happy to say I was dead wrong. By expanding Michael Crichton*s original vision, the producers were able to open up new storylines and vastly enhance the earlier concept. While the 1973 film was epic, it was limited by the visual effects available at the time. Now every modern tool in the VFX toolbox can be used and the results are <em>intoxicating</em>, drawing the viewer into <em>Westworld*s</em> latex embrace. <o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">The overall setup is still the same 每 a high-end resort modeled after the Old West where guests can indulge in every fantasy and no matter how much mayhem they cause, they can*t ever get hurt. So far# Overseen by Executive Producer J.J. Abrams (sharing those duties with Jerry Weintraub, Jonathan Nolan, Lisa Joy and Brian Burk), the series* attention to detail is meticulous. The show*s use of Monument Valley*s stunning vistas (put to such good use by John Ford many decades ago) really gives it a scope well beyond typical cable. The town of ※Sweetwater§, the hub of the action, has an authentic look and feel as good as anything seen on <em>Deadwood</em> and the gunfights 每 of which there are many 每 would do Clint Eastwood proud.</span></p> <p><!-- s9ymdb:8729 --><img class="serendipity_image_center" width="450" height="675" src="/fbe/uploads/1Y22FrjHdlCmc6Y2ArSPPAw.jpeg" /><br /></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Jonathan Nolan (who also directed the pilot) and Lisa Joy*s writing is crisp, seamlessly blending layer upon layer of narrative. HBO*s casting is flawless: Anthony Hopkins as the resort*s Creator Director is quietly menacing as he rewrites the resort*s ※storyline§ for mysterious reasons. Instead of Yul Brynner, Ed Harris is the relentless gunslinger in black. Not a robot, but a frequent guest who is on a quest to discover <u>all</u> the resort*s hidden secrets, whether management wants him to or not. To say he stays ※in character§ would be an understatement. When another guest begins to gush about how his (real life) foundation saved his sister*s life, Harris threatens to slit his throat, snarling, ※I*m on vacation!§ Thandie Newton is conniving yet vulnerable as the local brothel owner who begins to have doubts as to who or what she is# and special note has to be made of Evan Rachel Wood, a stunning actress who made her name in HBO*s <em>Mildred Pierce</em> and <em>True Blood</em> and in a string of indie films. Here she plays an innocent farm girl ※host§ (artificial human), available to be ravaged or romanced, depending on the guest. Gradually she realizes she*s part of something <u>much</u> bigger and her AI awakening is a major story arc. Louis Herthum, playing her homespun rancher dad, is nothing short of terrific 每 alternating from folksy charm to an eerie mechanical persona as he*s examined by Hopkins and his head programmer, played by a brooding Jeffrey Wright (<em>Casino Royale</em>). Rounding out the regulars is the great looking James Mardsen as a stoic young gunslinger. <o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Early in production, a casting notice asking extras to be prepared to perform nude went viral, causing an uproar. There IS nudity in <em>Westworld</em>, but it*s fleeting and in each instance, totally germane to the story. Not a gratuitous shower scene in sight.<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Currently HBO has plans for 10 episodes of <em>Westworld</em>, but hopefully that*s just the beginning. With a reimagining like this, there is plenty more to explore. <em>And then maybe they*ll visit Romanworld or Medievalworld#<o:p /></em></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><em><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Westworld</span></em><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> premieres Sunday, October 2 on HBO.<o:p /></span></p> Wed, 28 Sep 2016 14:31:18 +0000 /fbe/index.php?/archives/9359-guid.html http://creativecommons.org/licenses/by/3.0/ THE BEST BOURNE YET https://www.google.com//fbe/index.php?/archives/9291-THE-BEST-BOURNE-YET.html Mark Cerulli /fbe/index.php?/archives/9291-THE-BEST-BOURNE-YET.html#comments /fbe/wfwcomment.php?cid=9291 0 /fbe/rss.php?version=2.0&type=comments&cid=9291 nospam@example.com (Cinema Retro) <iframe width="560" height="315" src="https://www.youtube.com/embed/F4gJsKZvqE4" frameborder="0"></iframe> <p> </p> <p><strong>BY MARK CERULLI</strong></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">The series* fifth installment explodes on the screen as Matt Damon returns to the role he originated way back in 2002.&#160; The Bourne in this film is a bulked up, bare knuckle street brawler, earning money to support a humble off the grid existence. While never chatty and light, this Bourne incarnation is 每 if possible 每 even <u>more</u> grim and purposeful than before. (Supposedly Damon has only 25 lines of dialogue in the entire film!) His old CIA ally, Nicky Parsons (played by the wonderful Julia Stiles) tracks him down, offering freshly hacked information that will finally put the missing pieces in Bourne*s identity puzzle. When he learns that his own father was deeply involved then sacrificed, this chase becomes personal. Let*s just say you don*t want to get in Bourne*s way when it*s personal#<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">As important as Damon*s return to the franchise is, his reteaming with director Paul Greengrass is truly cause for celebration. Greengrass is undoubtedly one of the most gifted action filmmakers working today. Cinematographer Barry Ackroyd*s constantly moving cameras keep the action going at a frenetic pace that never lets up. An early sequence set in the middle of a Greek anti-austerity riot is literally breathtaking as is the film*s ferocious Las Vegas climax. Jason Bourne features the best Vegas car chase since Diamonds Are Forever 每 except without the occasional one-liner to lighten things up. It is just a high-speed demolition derby that tears up the Strip.<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Delicately beautiful Oscar-winner Alicia Vikander plays an ice-cool CIA tech officer trying to reel Bourne in to serve her own hidden agenda. Veteran actor Tommy Lee Jones is her CIA Director boss. Jones* craggy face is almost a separate character in the film 每 when the camera lingers on it, the miles and battle scars show. Shadowing Bourne throughout is a brutally efficient CIA killer known only as ※the Asset§, convincingly played by Vincent Cassel. Out of all the spooks Bourne has dispatched over the years, Cassel might actually cross him off the Company*s hit list.<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">The filmmakers cleverly wrap their story in the headline issues of today 每 web surveillance, civil unrest, and big government paranoia, making the entire plot totally and sadly believable. (There*s even a nod to Edward Snowden early on.) Damon was a svelte 32 when he first took on Bourne. Now 45, his Bourne is starting to age and you can see the toll his years on the lam have taken on his face and his soul 每 more proof, if needed, of what a spectacular actor Matt Damon really is. <o:p /></span></p> <p><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span> </p> Wed, 27 Jul 2016 18:06:22 +0000 /fbe/index.php?/archives/9291-guid.html http://creativecommons.org/licenses/by/3.0/ TECHNICOLOR GETS A HOLLYWOOD STAR https://www.google.com//fbe/index.php?/archives/9161-TECHNICOLOR-GETS-A-HOLLYWOOD-STAR.html Mark Cerulli /fbe/index.php?/archives/9161-TECHNICOLOR-GETS-A-HOLLYWOOD-STAR.html#comments /fbe/wfwcomment.php?cid=9161 0 /fbe/rss.php?version=2.0&type=comments&cid=9161 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:8442 --><img class="serendipity_image_center" width="450" height="338" src="/fbe/uploads/TECH1.jpg" /> </p> <p><strong>BY MARK CERULLI</strong> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">After one hundred years of turning dreams into cinematic reality, Technicolor became only the second company to be awarded a coveted Star by the Hollywood Chamber of Commerce.The ceremony took place on March 30.&#160;<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Although world famous for bringing color to the movies, especially in iconic films like Gone With the Wind and The Wizard of Oz, Technicolor has adapted to the times. It withdrew from 35MM film processing a number of years ago and is now firmly in the digital era. The company also holds over 40,000 patents and its technology can be found in flat screens and other consumer products. <o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">At the ceremony, attended by actor Edward James Olmos and distinguished cinematographer and ASC President Richard Crudo, Technicolor*s CEO, Frederic Rose said the company strives to ※bring a soul, a spirit, a feeling to what is being created.§ Since Technicolor is known as a ※Creative Technology Company§, Rose noted that ※technology is an enabler, it*s something that allows a director or cinematographer to stretch the boundaries and create something that has never been seen before.§</span></p> <p> <div class="serendipity_imageComment_center" style="width: 450px;"> <div class="serendipity_imageComment_img"><!-- s9ymdb:8443 --><img class="serendipity_image_center" width="450" height="338" src="/fbe/uploads/tech.jpeg" /></div> <div class="serendipity_imageComment_txt">Technicolor senior executives at the unveiling ceremony.</div> </div> </p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Fully 70% of current blockbusters and 50% of the recent Super Bowl ads feature visual effects created by Technicolor through companies like the Mill and MPC in London. Some of their recent triumphs include providing visual effects for The Revenant and winning an Oscar for sound mixing on Whiplash. James Bond fans will remember the rich Technicolor look of many of the classic films and the company has continued that partnership in the 21<sup>st</sup> Century by creating striking visual effects on Skyfall and Spectre as well as sound mixing on both films. (Skyfall*s audio mix won an Oscar for sound editing.) <o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">After the star was unveiled, members of the press were escorted to an expansive conference room where examples of Technicolor*s classic film library restoration and upscaling (from SDR to HDR) were being played. Let*s just say a treated 36 year-old clip looked jaw-droppingly crisp, the colors popping off the screen. The company is also heavily involved in next generation technologies like VR. Goggles were available to see demo reels including an amazing clip of The Martian VR Experience, Sony*s Goosebumps and a project for Gatorade that makes the viewer feel what it*s like to be a major league baseball player. <o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">It was a proud day for the venerable company, but as CEO Frederic Rose promised, ※the <u>next</u> 100 years will be even more exciting.§<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> Fri, 22 Apr 2016 03:08:15 +0000 /fbe/index.php?/archives/9161-guid.html http://creativecommons.org/licenses/by/3.0/ REVIEW: " STEVE JOBS" STARRING MICHAEL FASSBENDER https://www.google.com//fbe/index.php?/archives/8862-REVIEW-STEVE-JOBS-STARRING-MICHAEL-FASSBENDER.html Mark Cerulli /fbe/index.php?/archives/8862-REVIEW-STEVE-JOBS-STARRING-MICHAEL-FASSBENDER.html#comments /fbe/wfwcomment.php?cid=8862 0 /fbe/rss.php?version=2.0&type=comments&cid=8862 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:8062 --><img class="serendipity_image_center" width="450" height="300" src="/fbe/uploads/Steve_Jobs-Michael_Fassbender.jpg" /> </p> <p><strong>BY MARK CERULLI&#160;</strong> </p> <p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; font-family: Verdana, sans-serif;">Full disclosure:&#160; I*m a Mac evangelist and have been since the 1980s. (The boxy Macintosh Plus was the first model I used.) I idolized Steve Jobs and Steve Wozniak and this brilliant movie from director Danny Boyle doesn*t change that. What it does do is explain Jobs as much as a force of nature like Steve Jobs can be explained. The film, written by Aaron Sorkin, tells Jobs* story through three pivotal product launches 每1984*s Macintosh, the ill-fated Next in 1988 and his triumphant 1998 return with the revolutionary iMac. Most of the action takes place in the tension-filled backstage crucible before each event, where Jobs terrorizes staffers and programmers <u>and</u> deals with the inconvenient truth of a very dependent ex-girlfriend (played by Sam Waterston*s daughter, Katherine) who is also the mother of his child. A child he refuses to acknowledge, conclusive paternity test or no. <o:p /></span></p> <p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; font-family: Verdana, sans-serif;">Michael Fassbender is nothing short of amazing as Jobs, a man so convinced of his own rightness that he can*t acknowledge a shred of humanity or empathy. Although Fassbender doesn*t look like the mercurial tech rockstar, he*s able to channel him. Kate Winslett turns in another stellar performance as Jobs* harried marketing chief, the one woman he does confide in 每 as much as Jobs was capable of confiding. Seth Rogan puts his usual stoner persona aside as the real brains behind Apple, co-founder Steve Wozniak. ※Woz§ is seemingly Jobs only friend but his relentless perfectionism pushes their relationship to the limit.<o:p /></span></p> <p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; font-family: Verdana, sans-serif;">Flashbacks illustrate major points in Jobs* career 每the birth of Apple in a silicon valley garage, wooing Pepsi head John Scully (Jeff Daniels) to be Apple*s CEO, and the crushing boardroom battle where the indispensible Jobs suddenly found out that he was totally dispensable. Along the way Jobs hints at the reasons behind his iron will and propensity to lash out at anyone who doesn*t live up to his impossible standards 每 rejection by his first set of adoptive parents who literally gave him back. Instead of coming to grips with it through therapy or discussion, he walled it off, along with most human emotions.<o:p /></span></p> <p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; font-family: Verdana, sans-serif;">Cinematographer Alwin H. K邦chler*s tight camerawork is centered on the actors moving through various backstage settings as the product launch tensions ramp up and ever so slightly, Jobs acknowledges the fatherhood he*s denied. Sorkin*s Oscar-bait dialogue crackles throughout. For example#<o:p /></span></p> <p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal" style="margin-left: 0.5in; line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; font-family: Verdana, sans-serif;">Jobs to a stressed-out engineer: <em>※You had three weeks, the universe was created in a third of that.§<o:p /></em></span></p> <p class="MsoNormal" style="margin-left: 0.5in; line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; font-family: Verdana, sans-serif;">The stressed-out engineer: <em>※Well, someday you*ll have to tell us how you did it.§<o:p /></em></span></p> <p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; font-family: Verdana, sans-serif;">Because Apple products are so ubiquitous and four years after his death, Jobs has passed into legend; we think we know him. We think he*s ours. But behind the iconic products, there was an intense, ruthless and occasionally cruel man. This film helps explain why and does what Jobs himself never could 每 it helps humanize him.<o:p /></span></p> <p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; font-family: Verdana, sans-serif;">Steve Jobs opens October 9<sup>th</sup> from Universal Pictures.<o:p /></span></p> <p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> Thu, 08 Oct 2015 03:58:09 +0000 /fbe/index.php?/archives/8862-guid.html http://creativecommons.org/licenses/by/3.0/ MARK CERULLI REVIEWS "JURASSIC WORLD" https://www.google.com//fbe/index.php?/archives/8664-MARK-CERULLI-REVIEWS-JURASSIC-WORLD.html Mark Cerulli /fbe/index.php?/archives/8664-MARK-CERULLI-REVIEWS-JURASSIC-WORLD.html#comments /fbe/wfwcomment.php?cid=8664 0 /fbe/rss.php?version=2.0&type=comments&cid=8664 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:7808 --><img class="serendipity_image_center" width="450" height="253" src="/fbe/uploads/Jurassic_World_hd_Wallpapers4.jpg" /> </p> <p><strong>WELCOME TO THE JUNGLE.&#160;</strong></p> <p><strong>BY MARK CERULLI</strong></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">After a 14-year cinematic hibernation, the dinosaurs of Jurassic Park roar back with a vengeance.&#160; This fourth installment in the franchise had a lot to get right 每 it had to stand alone as entertainment for the masses who haven*t seen the 1993 original and make the series seem fresh and relevant, while fanning the flames of awe with which we (well, most of us anyway) hold dinosaurs. It also had to acknowledge that today*s world is far darker, more commercial and more cynical than 1993. Jurassic World succeeds on all counts. Instead of picking up where Jurassic 3 left off way back when, Jurassic World creates a new narrative 每 the park has been open for years and is a thriving tourist destination. But like any theme park, it needs to be updated to keep the public coming back. Although they have herds of Triceratops, pods of Velociraptors (the baddies in the first film) and dozens of lumbering Apatosaurus, the park owner wants bigger, badder, ※cooler§, so they*ve created a new species, ※Indominus Rex.§ (It should*ve been named ※Ominous Rex§ as it makes Godzilla look like the Geico Gecko.) This beast is a hybrid consisting of genes from many different species, so when it busts out, the park truly has a problem on its hands 每 only now it*s not largely empty as in the first film, it*s packed with 20,000 guests. <o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">The human cast is led by Chris Pratt and his work in Jurassic World should propel him into the Harrison Ford leading man zone. His character, the park*s ex-Navy animal trainer, is a true Alpha Male, stoic, decisive and cool. (Although he could have used a touch of humor to lighten him up.) Bryce Dallas Howard is spot on as a driven career woman responsible for the park*s operations. She*s frazzled because not only is her enigmatic billionaire boss (Bollywood star Irrfan Khan) on site, but also her nephews (played by Nick Robinson and Ty Simpkins, marking his second Spielberg project after War of the Worlds) have arrived, expecting a VIP experience with their aunt. Complicating matters is a shady security operator named Hoskins (a swaggering Vincent D*Onofrio) sent by parent company InGen (remember them?) to assess the military possibilities for the park*s ※assets§ (aka dinosaurs).<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">As the film picks up speed, there are numerous nods to the series* iconic past 每 one of the control room operators is wearing an original Jurassic Park t-shirt, which he bought off eBay. (※In mint condition they go for $300.§) As the nephews try to escape the park, they stumble into the original visitor*s center and hotwire one of the red and white Jeep Wranglers from the first film. The only original cast member to return is B.D. Wong, playing the park*s genetic scientist, coolly unaffected by all the mayhem his creations have caused. <o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">As expected, the VFX is impeccable; the dinosaurs seem as alive as their human co-stars. The ※trailer moment§ when the huge Mosasaurus lunges up from the Sea World-like tank to devour a dangling Great White shark really was stunning, as is the flying Dimorphodon attack and 每 yay! 每 the return of the T-Rex.<o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Director Colin Trevorrow keeps things moving and gives the audience what it wants the most 每 dinosaurs and more dinosaurs. This CR scribe caught the Imax 3-D version, but Jurassic World will not disappoint in any format. <o:p /></span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal"><span style="font-size: 10pt; font-family: Verdana, sans-serif;"> </span></p> <p><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span> </p> <iframe width="560" height="315" src="https://www.youtube.com/embed/RFinNxS5KN4" frameborder="0"></iframe> Wed, 10 Jun 2015 12:29:00 +0000 /fbe/index.php?/archives/8664-guid.html http://creativecommons.org/licenses/by/3.0/