Welfare offer free vegas slots_Welfare offer 12bet app ios_188bet mobile https://www.google.com//fbe/ Celebrating Films of the 1960s & 1970s en Serendipity 1.5.2 - http://www.s9y.org/ Sun, 16 Dec 2018 23:32:48 GMT /fbe/templates/default/img/s9y_banner_small.png RSS: Cinema Retro - BACK ISSUES #'S 24-36 - Celebrating Films of the 1960s & 1970s https://www.google.com//fbe/ 100 21 BACK ISSUES! GET ALL THOSE ELUSIVE EDITIONS FOR YOUR COLLECTION! https://www.google.com//fbe/index.php?/archives/7872-BACK-ISSUES!-GET-ALL-THOSE-ELUSIVE-EDITIONS-FOR-YOUR-COLLECTION!.html BACK ISSUES #'S 24-36 /fbe/index.php?/archives/7872-BACK-ISSUES!-GET-ALL-THOSE-ELUSIVE-EDITIONS-FOR-YOUR-COLLECTION!.html#comments /fbe/wfwcomment.php?cid=7872 0 /fbe/rss.php?version=2.0&type=comments&cid=7872 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:6585 --></p> <p> </p> <p><br /></p> <p><!-- s9ymdb:8503 --><img class="serendipity_image_center" src="/fbe/uploads/RETRO24.jpg" width="250" height="389" /> </p> <p> <strong style="font-size: 9.5pt;"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">HIGHLIGHTS OF ISSUE #24 (SEPTEMBER, 2012):</span></strong></p> <ul type="disc"> <li class="MsoNormal"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Major celebration of&#160;The Poseidon Adventure's 40th anniversary with articles by David Savage, Tom Lisanti, James Radford and Chris Poggiali. Includes many rare photos, international movie posters and interviews with Carol Lynley and Mort Kunstler, the legendary artist who created the movie poster. Kunstler also provides his original sketches for the ad campaign, reproduced in this issue for the first time.&#160;<o:p /></span></li> <li class="MsoNormal"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">40th anniversary tribute to&#160;Deliverance.&#160;John Exshaw visits director John Boorman at his home in Ireland for exclusive interview about working with author James Dickey on the landmark film.<o:p /></span></li> <li class="MsoNormal"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Gary Giblin takes an in-depth look at another classic film celebrating its 40th anniversary:&#160;Alfred Hitchcock's&#160;Frenzy,&#160;complete with rare stills from sequences that the Master cut from the final version of the movie.<o:p /></span></li> <li class="MsoNormal"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Matthew R. Bradley looks at one of the screen's legendary baddies,&#160;James Bond nemesis Blofeld&#160;in both literature and cinema. The title of the article:&#160;The Importance of Being Ernst.<o:p /></span></li> <li class="MsoNormal"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Remembering&#160;Ernest Borgnine: a tribute to the legendary Oscar winner.<o:p /></span></li> <li class="MsoNormal"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Raymond Benson's ten best films of 1983.<o:p /></span></li> <li class="MsoNormal"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Lee Pfeiffer pays tongue-in-cheek tribute to the 1976 B movie cult &quot;classic&quot;&#160;Grizzly&#160;starring Christopher George, Richard Jaeckel and Andrew Prine.&#160;<o:p /></span></li> <li class="MsoNormal"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Gareth Owen revisits the early days of director&#160;Michael Winner's career at Pinewood Studios.<o:p /></span></li> <li class="MsoNormal"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Mark Mawston's new column Desert Island Flicks covers underrated gems like&#160;John Frankenheimer's&#160;Seconds,&#160;Frank Perry's&#160;The Swimmer&#160;and Don Siegel's&#160;Coogan's Bluff.<o:p /></span></li> <li class="MsoNormal"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Adrian Smith titillates readers with part two of his extensive look at the history of British sexploitation films in&#160;More Sex, Please. We're British.&#160;<o:p /></span></li> <li class="MsoNormal"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Dean Brierly's Crime Wave International covers British classic crime movies of the 60s and 70s including&#160;Get Carter, Payroll, The Long Good Friday, Robbery, Villain&#160;and&#160;Sitting Target.&#160;<o:p /></span></li> </ul> <p> <span style="font-size: 9.5pt; line-height: 107%; font-family: Verdana, sans-serif;">Plus the usual reviews of the latest film books, DVDs and soundtracks. &#160;</span><strong style="font-family: Verdana, sans-serif; font-size: 12.6667px; line-height: 13.5533px;">Limited supply. Price: $30 &#160;(includes postage worldwide).&#160;</strong></p> <p> </p> <form target="paypal" action="https://www.paypal.com/cgi-bin/webscr" method="post"> <input name="cmd" value="_s-xclick" type="hidden" /> <input name="hosted_button_id" value="9ANRLZLLCR4JG" type="hidden" /> <input src="https://www.paypalobjects.com/en_US/i/btn/btn_cart_LG.gif" name="submit" alt="PayPal - The safer, easier way to pay online!" type="image" border="0" /> <img src="https://www.paypalobjects.com/en_US/i/scr/pixel.gif" width="1" height="1" border="0" /> </form> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p><!-- s9ymdb:8502 --><img class="serendipity_image_center" src="/fbe/uploads/retro25250.jpg" width="250" height="346" /> </p> <p> <strong style="font-size: 9.5pt;"><span style="font-size: 10pt; font-family: Verdana, sans-serif; color: black;">HIGHLIGHTS OF ISSUE #25 INCLUDE:</span></strong></p> <ul type="disc"> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">James Bond&#160;at 50: Cinema Retro interviews&#160;Daniel Craig, producers&#160;Barbara Broccoli&#160;and&#160;Michael G. Wilson&#160;and&#160;Skyfall&#160;director&#160;Sam Mendesabout the screen legacy of Agent 007.</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Dr. No&#160;cast and crew reunion at Pinewood Studios, England: Gareth Owen reports</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Matthew R. Bradley covers the Blofelds of screen and literature in The Importance of Being Ernst: Part 2</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Major coverage of&#160;Hammer Films&#160;events: convention report, Hammer horror film locations then and now and coverage of the latest Blu-ray releases.</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">In-depth look at the new restoration of&#160;David Lean's masterpiece&#160;Lawrence of Arabia&#160;and exclusive interview with Sony's Grover Crisp, the man who spearheaded the restoration process.</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Best-selling author Robert Sellers provides a fascinating look at the life and career of the ultimate &quot;bad boy&quot; of British cinema,&#160;Oliver Reed.</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Dean Brierly looks at the best Italian crime movies of the 60s and 70s.</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Tribute to the creator of master of British film posters, artist&#160;Tom Chantrell.</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Michael Davey interviews British sex symbol&#160;Liz Fraser</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Sands of the Kalahari&#160;starring&#160;Stuart Whitman&#160;and&#160;Susannah York:&#160;Lee Pfeiffer revisits an underrated classic adventure</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Nicholas&#160; Anez pays tribute to&#160;Burt Lancaster's controversial&#160;The Swimmer&#160;</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">The&quot;B&quot; British war film&#160;Attack on the Iron Coast&#160;starring&#160;Lloyd Bridges-&#160;part one of Howard Hughes' history of Oakmont Studios</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Raymond Benson's top ten films of 1984</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 10pt; 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font-family: Verdana, sans-serif; color: black;">HIGHLIGHTS OF ISSUE #26 INCLUDE:</span></strong></p> <ul type="disc"> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Sam Peckinpah's Straw Dogs:&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Mike Siegel provides&#160;<strong> </strong>in-depth coverage of the legendary director's controversial 1971 classic starring Dustin Hoffman and Susan George. Includes extensive rarely seen behind the scenes production photos and rare international ad campaigns.&#160;</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Lee Pfeiffer interviews comedy genius&#160;<strong>Mel Brooks,&#160;</strong>who reflects on his long career in TV and feature films.</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Howard Hughes examines the 1969 spaghetti Western classic&#160;<strong>The Five Man Army&#160;</strong>starring Peter Graves, Bud Spencer and Tetsuro Tamba</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Dean Brierly pays tribute to the great French crime films of the 1960s and 1970s</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">David McCallum&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">recalls the making of Oakmont Studio's 1969 WWII film&#160;<strong>Mosquito Squadron</strong></span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Cinema Retro attends the 40th anniversary cast and crew reunion of&#160;<strong>Bob Fosse's Cabaret&#160;</strong>and gets interviews with&#160;<strong>Joel Grey, Michael York, Marisa Berenson and Robert Osborne&#160;</strong>of Turner Classic Movies. Plus we cover the &quot;re-premiere&quot; at New York's Ziegfeld Theatre, attended by Liza Minnelli herself.</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Don R. Stradley looks at&#160;<strong>Sextette,&#160;</strong>the bizarre cinematic swan song of&#160;<strong>Mae West</strong></span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Raymond Benson's ten best films of 1985</span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Gareth Owen examines the making of the 1969 spy flick&#160;<strong>The Chairman (</strong>aka&#160;<strong>The Most Dangerous Man in the World)&#160;</strong>starring&#160;<strong>Gregory Peck&#160;</strong></span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Dave Worrall covers the new restoration of the Hammer horror classic&#160;<strong>Dracula&#160;</strong>(aka&#160;<strong>Horror of Dracula)&#160;</strong></span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Remembering the brilliant, cynical comedy of Paddy Chayefsky in&#160;<strong>The Hospital&#160;</strong>starring&#160;<strong>George C. Scott&#160;</strong>and&#160;<strong>Diana Rigg</strong></span><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;"><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Plus the latest DVD, soundtrack and&#160; film book reviews&#160;</span></li> <p> </p> <form target="paypal" action="https://www.paypal.com/cgi-bin/webscr" method="post"> <input name="cmd" value="_s-xclick" type="hidden" /> <input name="hosted_button_id" value="4WAQ7H9JDKA3G" type="hidden" /> <table> <tbody> <tr> <td><input name="on0" value="USA/ CANADA : CINEMA RETRO ISSUE #26" type="hidden" />USA/ CANADA : CINEMA RETRO ISSUE #26</td> </tr> <tr> <td><select name="os0"> <option value="USA/ CANADA : CINEMA RETRO ISSUE #26">USA/ CANADA : CINEMA RETRO ISSUE #26 $15.00 USD</option> </select> </td> </tr> </tbody> </table> <input name="currency_code" value="USD" type="hidden" /> <input src="https://www.paypalobjects.com/en_US/i/btn/btn_cart_LG.gif" name="submit" alt="PayPal - The safer, easier way to pay online!" type="image" border="0" /> <img src="https://www.paypalobjects.com/en_US/i/scr/pixel.gif" width="1" height="1" border="0" /> </form> <form target="paypal" action="https://www.paypal.com/cgi-bin/webscr" method="post"> <input name="cmd" value="_s-xclick" type="hidden" /> <input name="hosted_button_id" value="US4HURJN93K9L" type="hidden" /> <table> <tbody> <tr> <td><input name="on0" value="UK : CINEMA RETRO ISSUE #26" type="hidden" />UK : CINEMA RETRO ISSUE #26</td> </tr> <tr> <td><select name="os0"> <option value="UK : CINEMA RETRO ISSUE #26">UK : CINEMA RETRO ISSUE #26 8.50 GBP</option> </select> </td> </tr> </tbody> </table> <input name="currency_code" value="GBP" type="hidden" /> <input src="https://www.paypalobjects.com/en_US/i/btn/btn_cart_LG.gif" name="submit" alt="PayPal - The safer, easier way to pay online!" type="image" border="0" /> <img src="https://www.paypalobjects.com/en_US/i/scr/pixel.gif" width="1" height="1" border="0" /> </form> <p> </p> <form target="paypal" action="https://www.paypal.com/cgi-bin/webscr" method="post"> <input name="cmd" value="_s-xclick" type="hidden" /> <input name="hosted_button_id" value="ZXM8H3A2M9AFS" type="hidden" /> <table> <tbody> <tr> <td><input name="on0" value="EUROPE : CINEMA RETRO ISSUE #26" type="hidden" />EUROPE : CINEMA RETRO ISSUE #26</td> </tr> <tr> <td><select name="os0"> <option value="EUROPE : CINEMA RETRO ISSUE #26">EUROPE : CINEMA RETRO ISSUE #26 10.50 GBP</option> </select> </td> </tr> </tbody> </table> <input name="currency_code" value="GBP" type="hidden" /> <input src="https://www.paypalobjects.com/en_US/i/btn/btn_cart_LG.gif" name="submit" alt="PayPal - The safer, easier way to pay online!" type="image" border="0" /> <img src="https://www.paypalobjects.com/en_US/i/scr/pixel.gif" width="1" height="1" border="0" /> </form> <p> </p> <form target="paypal" action="https://www.paypal.com/cgi-bin/webscr" method="post"> <input name="cmd" value="_s-xclick" type="hidden" /> <input name="hosted_button_id" value="VE3QXQ7UXSDQN" type="hidden" /> <table> <tbody> <tr> <td><input name="on0" value="REST OF THE WORLD : CINEMA RETRO ISSUE #26" type="hidden" />REST OF THE WORLD : CINEMA RETRO ISSUE #26</td> </tr> <tr> <td><select name="os0"> <option value="REST OF THE WORLD : CINEMA RETRO ISSUE #26">REST OF THE WORLD : CINEMA RETRO ISSUE #26 12.00 GBP</option> </select> </td> </tr> </tbody> </table> <input name="currency_code" value="GBP" type="hidden" /> <input src="https://www.paypalobjects.com/en_US/i/btn/btn_cart_LG.gif" name="submit" alt="PayPal - The safer, easier way to pay online!" type="image" border="0" /> <img src="https://www.paypalobjects.com/en_US/i/scr/pixel.gif" width="1" height="1" border="0" /> </form> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> <p> </p> </ul> <p> </p> <p> </p> <p> </p> <p><!-- s9ymdb:8500 --><img class="serendipity_image_center" src="/fbe/uploads/retro27250.jpg" width="250" height="351" /> </p> <p> <strong style="font-size: 9.5pt;"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">HIGHLIGHTS OF ISSUE #27 INCLUDE:</span></strong></p> <ul type="disc"> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Don L. Stradley examines the dramatic life and career of&#160;<em>Lolita&#160;</em>star&#160;<strong>Sue Lyon</strong><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">John Exshaw's unpublished interview with screen legend&#160;<strong>Peter Cushing</strong><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Adrian Smith interviews Hugh Hudson, director of&#160;<em>Revolution&#160;</em>and&#160;<em>Greystoke: The Legend of Tarzan, Lord of the Apes</em><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Dean Brierly looks at classic Japanese crime movies<o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Stephen C. Jilks celebrates the Hammer horror flick&#160;<em>Curse of the Werewolf</em><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">David Savage examines&#160;<strong>Liz Taylor</strong>'s little-seen, late career bizarro cult movie&#160;<em>The Driver's Seat</em><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Howard Hughes continues his history of Oakmont Productions with&#160;<em>Submarine X-1&#160;</em>starring&#160;<strong>James Caan</strong><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Paul Thomson provides in-depth coverage of the Amicus Edgar Rice Burroughs film adaptations&#160;<em>The Land That Time Forgot, At the Earth's Core&#160;</em>and&#160;<em>The People That Time Forgot&#160;</em>and reviews the long-forgotten electric rock Western&#160;<em>Zachariah</em><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Remember&#160;<strong>Ray Harryhausen</strong><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Raymond Benson's top ten films of 1986<o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Lee Pfeiffer's Take Two column looks back on The Valachi Papers<strong> </strong>starring&#160;<strong>Charles Bronson</strong><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><strong><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Burt Reynolds&#160;</span></strong><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">underrated dark comedy&#160;<em>The End&#160;</em>is re-evaluated by Tim Greaves<o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Gareth Owen's Pinewood Past column features&#160;<em>Reach for the Sky&#160;</em>starring&#160;<strong>Kenneth More</strong><o:p /></span></li> <li class="MsoNormal" style="background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;"><span style="font-size: 9.5pt; font-family: Verdana, sans-serif;">Plus the latest film book, soundtrack and DVD reviews.&#160;</span></li> <p> </p> <form target="paypal" action="https://www.paypal.com/cgi-bin/webscr" method="post"> <input name="cmd" value="_s-xclick" type="hidden" /> <input name="hosted_button_id" value="X6SHEHVVEYB2Y" type="hidden" /> <table> <tbody> <tr> <td><input name="on0" value="USA/ CANADA : CINEMA RETRO ISSUE #27" type="hidden" />USA/ CANADA : CINEMA RETRO ISSUE #27</td> </tr> <tr> <td><select name="os0"> <option value="USA/ CANADA : CINEMA RETRO ISSUE #27">USA/ CANADA : CINEMA RETRO ISSUE #27 $15.00 USD</option> </select> </td> </tr> </tbody> </table> <input name="currency_code" value="USD" type="hidden" /> <input src="https://www.paypalobjects.com/en_US/i/btn/btn_cart_LG.gif" name="submit" alt="PayPal - The safer, easier way to pay online!" type="image" border="0" /> <img src="https://www.paypalobjects.com/en_US/i/scr/pixel.gif" width="1" height="1" border="0" /> </form> <p> </p> <form target="paypal" action="https://www.paypal.com/cgi-bin/webscr" method="post"> <input name="cmd" value="_s-xclick" type="hidden" /> <input name="hosted_button_id" value="GB43JUG33TDXW" type="hidden" /> <table> <tbody> <tr> <td><input name="on0" value="UK : CINEMA RETRO ISSUE #27" type="hidden" />UK : CINEMA RETRO ISSUE #27</td> </tr> <tr> <td><select name="os0"> <option value="UK : CINEMA RETRO ISSUE #27">UK : CINEMA RETRO ISSUE #27 8.50 GBP</option> </select> </td> </tr> </tbody> </table> <input name="currency_code" value="GBP" type="hidden" /> <input src="https://www.paypalobjects.com/en_US/i/btn/btn_cart_LG.gif" name="submit" alt="PayPal - The safer, easier way to pay online!" type="image" border="0" /> <img src="https://www.paypalobjects.com/en_US/i/scr/pixel.gif" width="1" height="1" border="0" /> </form> <p> </p> <form target="paypal" action="https://www.paypal.com/cgi-bin/webscr" method="post"> <input name="cmd" value="_s-xclick" type="hidden" /> <input name="hosted_button_id" value="9BAGQ9JWGTTE6" type="hidden" /> <table> <tbody> <tr> <td><input name="on0" value="EUROPE : CINEMA RETRO ISSUE #27" type="hidden" />EUROPE : CINEMA RETRO ISSUE #27</td> </tr> <tr> <td><select name="os0"> <option value="EUROPE : CINEMA RETRO ISSUE #27">EUROPE : CINEMA RETRO ISSUE #27 10.50 GBP</option> </select> </td> </tr> </tbody> </table> <input name="currency_code" value="GBP" type="hidden" /> <input src="https://www.paypalobjects.com/en_US/i/btn/btn_cart_LG.gif" name="submit" alt="PayPal - The safer, easier way to pay online!" type="image" border="0" /> <img src="https://www.paypalobjects.com/en_US/i/scr/pixel.gif" width="1" height="1" border="0" /> </form> <p> </p> <form target="paypal" action="https://www.paypal.com/cgi-bin/webscr" method="post"> <input name="cmd" value="_s-xclick" type="hidden" /> <input name="hosted_button_id" value="E223FYDZ2V3GU" type="hidden" /> <table> <tbody> <tr> <td><input name="on0" value="REST OF THE WORLD : CINEMA RETRO ISSUE #27" type="hidden" />REST OF THE WORLD : CINEMA RETRO ISSUE #27</td> </tr> <tr> <td><select name="os0"> <option value="REST OF THE WORLD : CINEMA RETRO ISSUE #27">REST OF THE WORLD : CINEMA RETRO ISSUE #27 12.00 GBP</option> </select> </td> </tr> </tbody> </table> <input name="currency_code" value="GBP" type="hidden" /> <input src="https://www.paypalobjects.com/en_US/i/btn/btn_cart_LG.gif" name="submit" alt="PayPal - The safer, easier way to pay online!" type="image" border="0" /> <img src="https://www.paypalobjects.com/en_US/i/scr/pixel.gif" width="1" height="1" border="0" /> </form> <p> </p> <form target="paypal" action="https://www.paypal.com/cgi-bin/webscr" method="post"><br /></form> <p> </p> <p> </p> <p> </p> </ul> <p><!-- s9ymdb:7554 --><img class="serendipity_image_center" src="/fbe/uploads/250RETRO28cover250.jpg" width="250" height="355" /> </p> <p> <strong style="font-size: 9.5pt;"><span style="font-size: 10pt; font-family: Verdana, sans-serif; color: black;">HIGHLIGHTS OF ISSUE #28 INCLUDE:</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif; color: black;"> </span></p> <ul type="disc"> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Sheldon Hall's 13 page spectacular tribute to the 50th anniversary of&#160;<strong>Zulu&#160;</strong>starring Stanley Baker and Michael Caine. Rare behind the scenes photos and international movie posters.&#160;&#160;<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Dave Worrall takes on you on a locations &quot;now and then&quot; tour of where&#160;<strong>Goldfinger&#160;</strong>starring Sean Connery was filmed at the legendary Pinewood Studios.<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Ray Morton's exclusive interview with cinematographer Richard Kline, who shot&#160;<strong>King Kong (1976), Death Wish, Star Trek: The Motion Picture&#160;</strong>and&#160;<strong>Camelot.&#160;</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Dean Brierly looks at classic American crime movies including&#160;<strong>The Killers (1974), The Driver, Point Blank, Bring Me the Head of Alfredo Garcia&#160;</strong>and&#160;<strong>The Taking of Pelham One Two Three.</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Brian Hannan tells the fascinating story of&#160;<strong>Elizabeth Taylor's BUtterfield 8,&#160;</strong>the film she did not want to do but won an Oscar for!<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Tim Greaves looks at the short but exotic career of&#160;<strong>Victoria Vetri,&#160;</strong>star of Hammer Films'&#160;<strong>When Dinosaurs Ruled the Earth-&#160;</strong>and provides some rare provocative photos!<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Illustrated tribute to movie comic book tie-ins from the 1960s and 1970s.<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Howard Hughes continues his history of Oakmont Productions with&#160;<strong>The Thousand Plane Raid&#160;</strong>starring&#160;<strong>Christopher George.&#160;</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Harvey Chartrand tells the fascinating story behind&#160;<strong>Mary Rose,&#160;</strong>the dream project that&#160;<strong>Alfred Hitchcock&#160;</strong>never filmed.<em> </em><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Trevor Chapman remembers the glorious Gaumont Theatre, one of Britain's Cinerama gems.&#160;<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Gareth Owen looks at Pinewood Studios in the 1970s and 1980s.<o:p /></span></li> <li class="MsoNormal" style="color: black; 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background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Don L. Stradley&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">looks at how horror films saved the careers of veteran actresses such as&#160;<strong>Bette Davis, Joan Crawford&#160;</strong>and&#160;<strong>Shelly Winters</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Nicholas Anez&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">compares the&#160;<strong>John Wayne/Howard Hawks&#160;&#160;</strong>classics&#160;<strong>Rio Bravo&#160;</strong>and&#160;<strong>El Dorado</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">The Wicker Man 40th Anniversary- Mark Mawston&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">interviews the film's director&#160;<strong>Robin Hardy</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Lee Pfeiffer&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">interviews actress&#160;<strong>Nancy Kwan&#160;</strong>about breaking racial barriers in Hollywood<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Howard Hughes&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">covers the forgotten WWII flick&#160;<strong>The Last Escape&#160;</strong>starring&#160;<strong>Stuart Whitman</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Cai Ross&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">pays tribute to the supporting actors of&#160;<strong>All the President's Men: Jason Robards, Jack Warden&#160;</strong>and&#160;<strong>Martin Balsam</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Harvey Chartrand&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">on&#160;<strong>Mary Rose, Alfred Hitchcock's&#160;</strong>aborted thriller.<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Gareth Owen's&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">tribute to legendary&#160;<strong>James Bond&#160;</strong>cinematographer&#160;<strong>Alec Mills</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Lee Van Cleef&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">in&#160;<strong>Sabata&#160;</strong>and&#160;<strong>Death Rides a Horse</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Mike Siegel&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">on&#160;<strong>Sam Peckinpah's&#160;</strong>cult classic&#160;<strong>Bring Me the Head of Alfredo Garcia</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Roland Schaefli&#160;&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">visits the German film locations of&#160; the&#160;<strong>Steve McQueen&#160;</strong>classic&#160;<strong>The Great Escape-&#160;</strong>then and now.<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Paul Sutton: &quot;Meeting Malcolm McDowell&quot;</span></strong><span style="font-size: 10pt; 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font-family: Verdana, sans-serif; color: black;">HIGHLIGHTS OF ISSUE #30 INCLUDE:</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif; color: black;"><o:p /></span></p> <ul type="disc"> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Mark Mawston&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">lands a rare exclusive interview with&#160;<strong>A Hard Day's Night&#160;</strong>director&#160;<strong>Richard Lester,&#160;</strong>who recalls the making of the iconic film on its 50th anniversary- with insights from former United Artists production head&#160;<strong>David V. Picker,&#160;</strong>who brought the film to the screen.<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Denis Meilke&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">looks at the legacy of the&#160;<strong>Steve Reeves&#160;</strong>Hercules films and the spin off Italian sword and sandal flicks in &quot;Blood, Sweat and Togas&quot;.&#160;<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Nicholas Anez&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">compares the&#160;<strong>John Wayne/Howard Hawks&#160;&#160;</strong>classics&#160;<strong>Rio Bravo&#160;</strong>and&#160;<strong>El Dorado&#160;</strong>in the concluding part of his essay.&#160;<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Matthew Field&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">provides the moving and informative final interview with legendary cinematographer&#160;<strong>Oswald Morris,&#160;</strong>who shot such diverse films as&#160;<strong>Fiddler on the Roof, Oliver!, Death Wish&#160;</strong>and&#160;<strong>The Guns of Navarone.</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Lee Pfeiffer&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">on&#160;the legacy of the late, great&#160;<strong>Eli Wallach.</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Brian Davidson&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">pays tribute to the short, tragic career of 1960s glamour girl&#160;<strong>Francoise Dorleac.</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Tim Greaves&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">celebrates the guilty pleasures of&#160;<strong>Warlords of Atlantis</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Gareth Owen's&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">tribute to legendary&#160;<strong>Gerry Anderson&#160;</strong>and his work at Pinewood Studios<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Brian Davidson&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">revisits the kinky, British cult thriller&#160;<strong>Fright&#160;</strong>starring Susan George and Honor Blackman<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Howard Hughes&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">concludes The Oakmont Story with a look at their last production,&#160;<strong>Hell Boats&#160;</strong>starring&#160;<strong>James Franciscus.</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">John M. Whalen&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">explores the strange tale of&#160;<strong>One-Eyed Jacks&#160;</strong>starring and directed by&#160;<strong>Marlon Brando</strong><o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Sergio Leone's A Fistful of Dollars-&#160;</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">the 50th anniversary of the&#160;<strong>Clint Eastwood&#160;</strong>classic<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">Raymond Benson</span></strong><span style="font-size: 10pt; font-family: Verdana, sans-serif;">'s 10 best films of 1989<o:p /></span></li> <li class="MsoNormal" style="color: black; background: white none repeat scroll 0% 0%;"><span style="font-size: 10pt; 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