Welfare offer my betway account_Welfare offer betfair login_betbright acca insurance https://www.google.com//fbe/ Celebrating Films of the 1960s & 1970s en Serendipity 1.5.2 - http://www.s9y.org/ Sun, 30 Sep 2018 19:44:01 GMT /fbe/templates/default/img/s9y_banner_small.png RSS: Cinema Retro - Soundtrack Review - Celebrating Films of the 1960s & 1970s https://www.google.com//fbe/ 100 21 REVIEW: "KUBRICK*S MUSIC: SELECTIONS FROM THE FILMS OF STANLEY KUBRICK" https://www.google.com//fbe/index.php?/archives/10233-REVIEW-KUBRICKS-MUSIC-SELECTIONS-FROM-THE-FILMS-OF-STANLEY-KUBRICK.html Soundtrack Review /fbe/index.php?/archives/10233-REVIEW-KUBRICKS-MUSIC-SELECTIONS-FROM-THE-FILMS-OF-STANLEY-KUBRICK.html#comments /fbe/wfwcomment.php?cid=10233 0 /fbe/rss.php?version=2.0&type=comments&cid=10233 nospam@example.com (Cinema Retro) <p> </p> <p><!-- s9ymdb:9845 --><img class="serendipity_image_center" src="/fbe/uploads/KUBRICKcf.jpg" width="450" height="450" /> </p> <p><strong>BY DARREN ALLISON</strong> <br /></p> <p><!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-GB</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> </w:Compatibility> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub 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Name="List Table 7 Colorful Accent 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Mention"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Smart Hyperlink"/> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <style> /<strong> Style Definitions </strong>/ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman",serif; mso-ansi-language:EN-GB;} </style> <![endif]--> </p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">For anyone with a remote interest in soundtrack music, they will probably have some knowledge of how difficult it is to secure the rights to Stanley Kubrick*s film music. Permission has been basically refused and the whole issue is generally tied up in a bundle of tightly wrapped red tape. </span></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">Whilst there is still a great demand for these scores, the slow and unsuccessful process has left the fan base both frustrated and in limbo. It*s not that there hasn*t been a gallant effort; fans/producers such as the respected and much admired Nick Redman have taken up the challenge, but alas to no avail. As a result, the Kubrick soundtrack sagas remain something of an impregnable and stubborn wall to penetrate.</span></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">I can*t therefore condemn entirely the efforts of some labels and their attempts to try and fill the void and at least try and provide something for the fans that is at least commendable. El Records have attempted to provide just such a set with the release of a 4 disc box set Kubrick*s Music: ※Selections from the Films of Stanley Kubrick§ (ACME338BOX). It is important to point out that this is neither the definitive answer nor the solution to the long- standing problem, and neither does it pretend to be. Moreover, El*s presentation comprises of musical selections from Kubrick*s central masterpieces, complimented by pieces which the director used as &temp tracks* during the production (and by varied accounts) with every intention of using these in the final film, only to decide to replace them late on. </span></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">As the press release states:</span></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">※Stanley Kubrick*s audacious use of music was one of the aspects that distinguished his films. He handled music with sensitivity, invention and respect and it resulted in the creation of some of the most indelible scenes in cinema history. Three that spring to mind# the use of Vera Lynn*s &We*ll Meet Again* over a ninety-second montage of nuclear explosions that closes ※Dr. Strangelove§; the deployment of Strauss waltzes to create an elegant cosmic ballet during the docking sequence in ※2001: A Space Odyssey§, and the highly controversial use of Gene Kelly*s ※Singin* in the Rain§ during the attack on F. Alexander and his wife by Alex and his Droogs in ※A Clockwork Orange§.</span></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">In ※2001§, the scherzo from Felix Mendelssohn*s ※Midsummer Night*s Dream§ (used for scenes of weightlessness) and Vaughan Williams ※Antarctica Suite§ (for the Stargate effects and scenes on the moon) were both used in preview showings of the film before being discarded. While on ※Eyes Wide Shut§, Wagner*s ※Lieder Im Triebhaus§ (※In the Greenhouse§) from Wesendonck Lieder was a significant theme in the production for more than a year before being replaced. </span><br /></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">We have also assembled the complete vintage ballroom music from ※The Shining§. The final movement from Berlioz*s ※Symphonie Fantastique§, with its epic use of the chant from the Roman Catholic Requiem mass, the ※Dies Irae§, and a Sibelius piece, ※Valse Triste§. Both were important to the evolution of the film. Finally, as a young man, Stanley Kubrick fell in love with Sergi Prokofiev*s score for the Sergei Eisenstein*s first sound film, ※Alexander Nevsky§. He played it to death, and it would inspire him later in his own use of dramatic music. From the scintillating recording by Fritz Reiner with the Chicago SO, we include the movement, ※Battle On the Ice§.*</span></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB"></span></p> <p> </p> <br /> <p> </p> <br /><a href="/fbe/index.php?/archives/10233-REVIEW-KUBRICKS-MUSIC-SELECTIONS-FROM-THE-FILMS-OF-STANLEY-KUBRICK.html#extended">Continue reading "REVIEW: &quot;KUBRICK*S MUSIC: SELECTIONS FROM THE FILMS OF STANLEY KUBRICK&quot;"</a> Mon, 01 Oct 2018 13:36:00 +0000 /fbe/index.php?/archives/10233-guid.html http://creativecommons.org/licenses/by/3.0/ SILVA SCREEN*S SUMMER SCI-FI BONANZA: A BOX OF SCI-FI / THE INVASION AND THE FIVE DOCTORS https://www.google.com//fbe/index.php?/archives/10188-SILVA-SCREENS-SUMMER-SCI-FI-BONANZA-A-BOX-OF-SCI-FI-THE-INVASION-AND-THE-FIVE-DOCTORS.html Soundtrack Review /fbe/index.php?/archives/10188-SILVA-SCREENS-SUMMER-SCI-FI-BONANZA-A-BOX-OF-SCI-FI-THE-INVASION-AND-THE-FIVE-DOCTORS.html#comments /fbe/wfwcomment.php?cid=10188 0 /fbe/rss.php?version=2.0&type=comments&cid=10188 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:9794 --><img class="serendipity_image_center" src="/fbe/uploads/1.SCI-FIbox6CD.jpg" width="350" height="350" /> </p> <p><strong>BY DARREN ALLISON</strong> <br /></p> <p class="MsoNormal"><strong><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">100 GREATEST SCIENCE FICTION THEMES</span></strong> <br /></p> <p> </p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">Performed by The City of Prague Philharmonic and London Music Works, this comprehensive 6 CD collection features music from the latest Sci-Fi blockbusters; from Ready Player One, Solo: A Star Wars Story, and Blade Runner 2049, all the way back to 1950s classics The Day The Earth Stood Still and Forbidden Planet.</span></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">This release brings together the best selection of science fiction music spanning almost a century, through a thorough overview of musical styles, themes and techniques. It spotlights music from Hollywood heavyweights and classically trained legends (John Williams, John Barry, Ennio Morricone and Bernard Hermann), electronic experimenters (Bebe &amp; Louis Barron, Vangelis) and jazz-influenced composers (Bill Conti, Henry Mancini) to the new generation, who combine orchestral sounds with electronics (David Arnold, Johann Johannsson, Ramin Djawadi, Steve Jablonsky, Hanz Zimmer and Clint Mansell.)</span></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">100 Greatest Science Fiction Themes is released in both physical and digital format on 31st August 2018.</span></p> <p> <img class="serendipity_image_center" src="/fbe/uploads/2.CD.jpg" width="350" height="350" /></p> <p class="MsoNormal"><strong><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">THE INVASION </span></strong></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">Don Harper*s soundtrack to the 8-part Doctor Who story The Invasion was made and transmitted in 1968 starring Patrick Troughton as the second Doctor.</span></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">Featuring the Brigadier, UNIT, and the Cybermen, this ※modern Earth invasion§ Doctor Who story was made into a hugely influential series in 1968. Directed by Douglas Camfield, the music was composed by Don Harper, the third Australian 谷migr谷 composer (after Ron Grainer and Dudley Simpson) to work on the programme.</span></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">Don Harper*s music for The Invasion may have been influenced by John Barry*s score for The Ipcress File (1965). Don used the cimbalom in the score, and the artist was most likely John Leach (who also worked under the name Janos Lehar), who played on The Ipcress File, King Rat and The Persuaders.</span></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">The instruments used included the organ, cimbalom, percussion, clarinet (doubling clarinets in A and Bb, bass clarinet and oboe), bass guitar, contra-bass clarinet and cor anglais. The percussion consisted of bim bams and temple blocks, timps including piccolo timp and hand timp, as well as cymbal and vibraphone. The organ was a Hammond M100 with Leslie speaker.</span></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">The score was augmented by the use of electronic sounds created by Brian Hodgson of the BBC Radiophonic Workshop. There was also ※Muzak§ by John Baker (referred to as such in the cue sheets for episodes 1 and 2), which had its first outing in an Out of the Unknown episode.</span></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">For this 2018 Silva Screen album, Doctor Who composer Mark Ayres have placed the previously used music together, followed by additional unused cues and the electronic score.</span></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">Don Harper (1921 - 1999) was an Australian film and TV composer, jazz violinist and big band conductor. He is best known for his work on Doctor Who, World of Sport, Sexton Blake, Out of the Unknown and Dawn of the Dead, as well as his work with Don Harper*s Sextet and Dave Brubeck*s Quartet. After many years between England and Australia, Harper returned to Australia in order to take up the position of Head of Jazz Studies at the Wollongong University's School of Creative Arts, which he held until 1990. He died in 1999 aged 78.</span></p> <p class="MsoNormal"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">Don Harper*s music has achieved cult status and in 2005 MF DOOM and Danger Mouse, in their collaborative project DangerDoom, sampled Don Harper's &quot;Chamber Pop&quot; and &quot;Thoughtful Popper&quot;. Elements of &quot;Dark Earth&quot; from the Dawn of the Dead soundtrack were used on Gorilazz &quot;Intro&quot; from Demon Days, which was also produced by Danger Mouse.</span></p> <br /><a href="/fbe/index.php?/archives/10188-SILVA-SCREENS-SUMMER-SCI-FI-BONANZA-A-BOX-OF-SCI-FI-THE-INVASION-AND-THE-FIVE-DOCTORS.html#extended">Continue reading "SILVA SCREEN*S SUMMER SCI-FI BONANZA: A BOX OF SCI-FI / THE INVASION AND THE FIVE DOCTORS"</a> Wed, 22 Aug 2018 13:00:00 +0000 /fbe/index.php?/archives/10188-guid.html http://creativecommons.org/licenses/by/3.0/ Bernard Herrmann*s Vertigo / North by Northwest Vinyl EP from Silva Screen Records Released April 21st for Record Store Day UK https://www.google.com//fbe/index.php?/archives/10040-Bernard-Herrmanns-Vertigo-North-by-Northwest-Vinyl-EP-from-Silva-Screen-Records-Released-April-21st-for-Record-Store-Day-UK.html Soundtrack Review /fbe/index.php?/archives/10040-Bernard-Herrmanns-Vertigo-North-by-Northwest-Vinyl-EP-from-Silva-Screen-Records-Released-April-21st-for-Record-Store-Day-UK.html#comments /fbe/wfwcomment.php?cid=10040 0 /fbe/rss.php?version=2.0&type=comments&cid=10040 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:9630 --><img class="serendipity_image_center" src="/fbe/uploads/BernardHerrmann7inchEP1.JPG" height="450" width="450" /> </p> <p><strong>BY DARREN ALLISON</strong></p> <p><!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-GB</w:LidThemeOther> 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5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman",serif; mso-ansi-language:EN-GB;} </style> <![endif]--> </p> <p class="MsoNormal" style="text-align: justify;"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">Composer Bernard Herrmann was often described as being &temperamental* and &explosive* by nature. However, very few could ever criticize his approach and dedication in regards to his work. His collaborations with director Alfred Hitchcock are today reflected upon as legendary; a clash of personalities which proved that both fire and gasoline didn*t necessarily have to end in utter devastation.</span></p> <p class="MsoNormal" style="text-align: justify;"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">To tie in with Record Store Day UK 2018, Silva Screen Records have released a strictly limited edition 7§ EP showcasing the very best of this turbulent and tremendous partnership. The Double A Side single (SIL71566) features two tracks from Vertigo (Prelude / The Nightmare) with the flipside featuring Overture / Main title from North by Northwest. The music is perfectly executed by the highly respected City of Prague Philharmonic Orchestra and conducted by Paul Bateman. </span></p> <p><!-- s9ymdb:9631 --><img class="serendipity_image_center" src="/fbe/uploads/BernardHerrmann7inchEP2.JPG" height="400" width="400" /> </p> <p class="MsoNormal" style="text-align: justify;"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">Vertigo crackles with tension as James Stewart*s character Scottie goes through an emotional wringer. Herrmann blew away the lush melodies that dominated music in films of previous decades and delivered harsh, stinging, repetitive themes overlaid on a deceptive symphonic score. The sound is as experimental as the film, which 60 years from release remains one of the milestones of cinematic history. One year on in North by Northwest, Cary Grant is the man in peril. This time it*s not mentally but physically as he is pursued by a spy network and the police. Herrmann ratchets up the tension with an orchestral tour-de-force which highlighted the thrill of the chase. Herrmann described it as, ※a kaleidoscopic orchestral fandango designed to kick-off the exciting rout which follows.&quot; </span></p> <p class="MsoNormal" style="text-align: justify;"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">Silva Screen has produced just 1200 individually numbered copies of this attractively designed 7§ single. Pressed in a transparent Amber coloured vinyl and given the continuously swelling number of Herrmann devotees, I very much doubt that this will remain around for too long. So check in with your local participating Record Store Day UK outlet to avoid any possible disappointment. You*ll find it to be well worth it. </span></p> <p><strong><a href="https://recordstoreday.co.uk/releases/rsd-2018/ost-hitchcock-themes-7/">CLICK HERE</a> TO FIND A RETAILER THAT WILL STOCK THIS ITEM ON RECORD DAY UK, 21 APRIL</strong> <br /></p> <br /> <p> </p> Wed, 18 Apr 2018 16:56:48 +0000 /fbe/index.php?/archives/10040-guid.html http://creativecommons.org/licenses/by/3.0/ RON GRAINER'S "THE OMEGA MAN" SOUNDTRACK, SILVA SCREEN LIMITED EDITION VINYL RELEASE FOR RECORD STORE DAY UK https://www.google.com//fbe/index.php?/archives/10039-RON-GRAINERS-THE-OMEGA-MAN-SOUNDTRACK,-SILVA-SCREEN-LIMITED-EDITION-VINYL-RELEASE-FOR-RECORD-STORE-DAY-UK.html Soundtrack Review /fbe/index.php?/archives/10039-RON-GRAINERS-THE-OMEGA-MAN-SOUNDTRACK,-SILVA-SCREEN-LIMITED-EDITION-VINYL-RELEASE-FOR-RECORD-STORE-DAY-UK.html#comments /fbe/wfwcomment.php?cid=10039 0 /fbe/rss.php?version=2.0&type=comments&cid=10039 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:9629 --><img class="serendipity_image_center" src="/fbe/uploads/1TheOmegaMan.JPG" height="450" width="450" /> </p> <p><strong>BY DARREN ALLISON</strong></p> <p> </p> <p><!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-GB</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> </w:Compatibility> 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sans-serif;" lang="EN-GB">After some 47 years there is still something about Ron Grainer*s score for The Omega Man (1971) (SILLP1561) that continues to withstand the test of time. Whilst the film might arguably appear to be a little dated these days, Grainer*s music lives on to uphold and support its continuing cult status. It*s perhaps no surprise then that Silva Screen Records have decided to release its first ever double vinyl pressing exclusively in time for Record Store Day UK, which is 21 April 2018. </span></p> <p class="MsoNormal" style="text-align: justify;"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">The Omega Man is an eclectic mix of styles ranging from mellow jazz, traditional lounge, and romantic mood setters to excellent dramatic action themes that feature contemporary, modern instrumentation including synthesisers and haunting water chimes. Everything is here. It remains a defining example of just how good film music used to be, full of strong melody and executed with perfect orchestration. To this day it is arguably regarded as Grainer*s crowning glory, and rightfully so. Grainer was brave enough to mix the traditional elements with the contemporary, gently embedding electronic effects and reverb to produce something highly unique.<span> </span></span></p> <p class="MsoNormal" style="text-align: justify;"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">Silva Screen's double vinyl album contains the full 18 tracks as previously released on the FSM CD of 1997. The packaging is superb; both records are contained within a super heavyweight gatefold sleeve, with a flat spine that is close to 8mm in width. However, if you are interested in this first ever vinyl edition of the score and particularly by its widely advertised &coloured vinyl*, you may want to check first with participating stores, as my copy is unmistakably a traditional black vinyl pressing. In regards to its audio, everything sounds astonishingly good and contains plenty of punch where it counts. </span></p> <p class="MsoNormal" style="text-align: justify;"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">As this is a Record Store Day UK exclusive it is worth checking out in advance (with any participating outlet) if they will be stocking this particular title. Because of the codes of conduct surrounding Record Store Day UK, any remaining stock will be available for sale online from 00.01am on the 28th April 2018. </span></p> <p class="MsoNormal" style="text-align: justify;"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">The Omega Man is limited to just 1000 (individually numbered) copies. Due to the popularity of this glorious score, you might want to begin your research in advance and in order to avoid any possible disappointment. It*s sure to be one of <em>the</em> outstanding titles of the day. <span> </span></span></p> <p><a href="https://recordstoreday.co.uk/releases/rsd-2018/ron-grainer/">Click here</a>&#160; to find a retail out that will sell this release. <br /></p> <p> </p> Wed, 18 Apr 2018 16:45:57 +0000 /fbe/index.php?/archives/10039-guid.html http://creativecommons.org/licenses/by/3.0/ SOUNDTRACK REVIEW: "NO PLACE FOR A MAN" BY MONDO SANGUE https://www.google.com//fbe/index.php?/archives/10026-SOUNDTRACK-REVIEW-NO-PLACE-FOR-A-MAN-BY-MONDO-SANGUE.html Soundtrack Review /fbe/index.php?/archives/10026-SOUNDTRACK-REVIEW-NO-PLACE-FOR-A-MAN-BY-MONDO-SANGUE.html#comments /fbe/wfwcomment.php?cid=10026 0 /fbe/rss.php?version=2.0&type=comments&cid=10026 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:9614 --><img class="serendipity_image_center" src="/fbe/uploads/noplaceman.jpg" width="450" height="450" /> </p> <p><strong>BY DARREN ALLISON</strong></p> <p><!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> 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UnhideWhenUsed="true" Name="Mention"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Smart Hyperlink"/> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <style> /<strong> Style Definitions </strong>/ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman",serif; mso-ansi-language:EN-GB;} </style> <![endif]--> </p> <p class="MsoNormal" style="text-align: justify;"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">It*s great to see German label All Score Media back on the soundtrack circuit. Their latest vinyl LP release No Place for a Man (ASM 045) is a fictional homage to the Italian Spaghetti Western genre of the &60s and &70s. Performed by the duo Mondo Sangue (Cristiano Sangueduro and Cristina Casereccia), the score is a passionate and honest tribute to the iconic genre soundtracks of the past. The influences are certainly there, from Ennio Morricone to the late great Franco De Gemini, for whom the album is quietly dedicated. There is a great deal of tradition to be found within the album tracks. One could perhaps argue it is almost stereotypical, but never in the negative sense of the word. The Spaghetti Western score had of course become somewhat &formulised* during its reign, so expect lovely examples of twanging guitars, harmonica, epic choral vocals and mouth harps. There are also a couple of vocal tracks such as &Somewhere in the West* performed by Cristina Casereccia and &*No Place for a Man* has Casereccia duet with Alberto Rocca. All of these tracks work very well and create a comforting sense of familiarity. Listening to the track &Il Portoghese* and its delicate whistling motif transports you straight back to Morricone*s &A Fistful of Dynamite§ (1971). Overall, fans of the genre should love this piece. There are not too many labels delivering these retrospective, tribute scores, so they really should be held dear. Cineploit are another label who produce period sounding, fictional scores and in many ways offer a sense of continuity, a linkage to the past and everything that was so appealing about it.</span></p> <p class="MsoNormal" style="text-align: justify;"><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB">All Score Media have produced a delightful sounding and excellent package for this release. The album sleeve is beautifully illustrated by Sue Elderberry. The 180g vinyl LPs are limited to just 666 pieces and are all individually hand numbered. Each LP also comes with an autographed photo card signed by vocal duo Cristina Casereccia and Alberto Rocca and there*s also a download code so as to listen when on the move. There is obviously a great deal of love gone into this release and it clearly shines through. No Place for a Man is an excellent production that should be both respected and applauded. <span> </span></span></p> <p><strong><a href="http://www.allscore.de/search/no-place-for-a-man">CLICK HERE</a> TO ORDER</strong> <br /></p><span style="font-size: 10pt; line-height: 115%; font-family: &quot;Verdana&quot;, sans-serif;" lang="EN-GB"><span></span><span></span></span><br /> <p> </p> Mon, 09 Apr 2018 13:31:00 +0000 /fbe/index.php?/archives/10026-guid.html http://creativecommons.org/licenses/by/3.0/ LATEST RETRO SOUNDTRACK RELEASES FROM VOCALION https://www.google.com//fbe/index.php?/archives/9927-LATEST-RETRO-SOUNDTRACK-RELEASES-FROM-VOCALION.html Soundtrack Review /fbe/index.php?/archives/9927-LATEST-RETRO-SOUNDTRACK-RELEASES-FROM-VOCALION.html#comments /fbe/wfwcomment.php?cid=9927 0 /fbe/rss.php?version=2.0&type=comments&cid=9927 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:9464 --><img class="serendipity_image_center" width="450" height="450" src="/fbe/uploads/blax.jpg" /> </p> <p><strong>BY DARREN ALLISON</strong></p> <p><strong>(Cinema Retro Soundtrack Editor)</strong></p> <p> </p> <p> <span style="font-family: Verdana, sans-serif; font-size: 10pt;">Dutton Vocalion has released three3 more impressive titles in their SACD range. The Black Motion Picture Experience / Music for Soulful Lovers (CDSML 8531) is as a twofer release featuring The Cecil Holmes Soulful Sounds. There*s a perfect symmetry about this particular CD. Both albums were released on the famous Buddah label back in 1973 and both were released in Stereo and Quadrophonic pressings. Vocalion*s new CD marks the debut of both albums in both formats. Both titles were originally released back in the height of the Blaxploitation boom. The first of the Holmes albums consists of a great selection of major Blaxploitation themes including Super fly (1972), Shaft (1971) and Across 110</span><sup style="font-family: Verdana, sans-serif;">th</sup><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> street (1972), but there*s also a great deal more than the usual, often repeated titles. Slaughter (1972) is a nice addition to the track listing, considering a soundtrack album was never released. Holmes also diverts somewhat curiously with tracks such as Also Sprach Zarathustra from 2001 (1968) and the Love Theme from Lady sings the Blues (1972). However, there*s a very nice funky edge to these tracks which never make them seem out of place and therefore fit in rather seamlessly.</span></p> <p class="MsoNormal"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Music for Soulful Lovers works as a perfect accompaniment to The Black Motion Picture Experience. Again, the album consists of many popular songs from the period, so expect more vocal tracks. But of course, the vocals are deep, evocative and very, very smooth. Aside from some very nicely produced covers of songs by Barry White, Stevie Wonder and The Stylistics, the album also contained three original compositions, all of which are silky and slick. In fact, it*s Holmes himself who provides the Barry White-influenced vocals ontwo of these tracks 每 and hey, it actually works extremely well! <o:p /></span></p> <p class="MsoNormal"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Vocalion*s mastering by Michael J. Dutton (from the original master tapes) is pin sharp and contains the punchy clarity that we have come to expect. Great notes and super use of the irreplaceable artwork make this a damn near perfect retro experience. (Disc total 73.17)</span></p> <p><!-- s9ymdb:9465 --><img class="serendipity_image_center" width="450" height="446" src="/fbe/uploads/2.jpg" /> </p> <p class="MsoNormal"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Vocalion have returned to familiar territory with their release of Henry Mancini*s twofer CD The Return of the Pink Panther / Symphonic Soul (CDSML 8535). Released in 1975, both albums were also launched in Stereo and Quadrophonic versions. So it*s nice to see Vocalion*s CD make a welcome debut on the hybrid SACD format. As far as Mancini pairings go, this selection works extremely well. The choice of Return of the Pink Panther is undoubtedly a smart move as it is arguably the best of the Panther soundtracks. Recorded at London*s CTS studios, there*s a nice range of styles spread across this memorable score. Released on the cusp of the disco era, there*s naturally a great deal of funky guitar riffs (provided by session musician Alan Parker) as well as some beautiful pieces such as &Dreamy* which saw Mancini himself take to the piano. The highlight piece is arguably The Return of the Pink Panther (parts 1 &amp; 2) which accompanied the theft of the Pink Panther diamond. It*s a great piece of composition which incorporates both the Pink Panther theme, a slow (but increasing dramatic) tension builder and a full on frenzy of brass and strings for its climax. <o:p /></span></p> <p class="MsoNormal"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Supporting Mancini*s soundtrack release is his studio album, Symphonic Soul. The album was recorded in L.A. and manages to merge the funky mid 70s sound with Mancini*s lush orchestrations. Mancini brought a few of his own new compositions to the album including the wonderful title track. He also took this opportunity to introduce a new souped-up version of his memorable Peter Gunn theme. There*s also some well-established period pieces to be found among the track listing including a great variation of The Average White Band*s funk anthem &Pick up the pieces* and Herbie Hancock*s &Butterfly*. <o:p /></span></p> <p class="MsoNormal"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Vocalion*s mastering by Michael J. Dutton (from the original master tapes) is reflective of the label*s usual high standards whilst a detailed 8 page booklet rounds off the packaging perfectly. (Disc total 71.51) <o:p /></span></p> <p class="MsoNormal"><br /></p> <br /><a href="/fbe/index.php?/archives/9927-LATEST-RETRO-SOUNDTRACK-RELEASES-FROM-VOCALION.html#extended">Continue reading "LATEST RETRO SOUNDTRACK RELEASES FROM VOCALION"</a> Thu, 11 Jan 2018 14:35:00 +0000 /fbe/index.php?/archives/9927-guid.html http://creativecommons.org/licenses/by/3.0/ "LOST IN SPACE: THE COMPLETE JOHN WILLIAMS COLLECTION" ON VINYL https://www.google.com//fbe/index.php?/archives/9905-LOST-IN-SPACE-THE-COMPLETE-JOHN-WILLIAMS-COLLECTION-ON-VINYL.html Soundtrack Review /fbe/index.php?/archives/9905-LOST-IN-SPACE-THE-COMPLETE-JOHN-WILLIAMS-COLLECTION-ON-VINYL.html#comments /fbe/wfwcomment.php?cid=9905 0 /fbe/rss.php?version=2.0&type=comments&cid=9905 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:9434 --><img class="serendipity_image_center" width="450" height="402" src="/fbe/uploads/lostspace1.jpg" /> </p> <p><strong>BY DARREN ALLISON</strong></p> <p class="MsoNormal"><span lang="EN-GB">Before inheriting the title &quot;Master of Disaster&quot;, a perfectly justified honour for his reputation of creating some of the greatest disaster movies of the 1970s, Irwin Allen was also the man responsible for some of the classic TV shows to emerge in the 1960*s. Voyage to the Bottom of the Sea, The Time Tunnel, and Land of the Giants have all survived the test of time and become immortalised among the best in terms of cultural importance. However, above all others, Lost in Space (1965-1968) is arguably the series that endured. Very loosely inspired by Johan David Wyss's classic 1812 adventure novel ※Swiss Family Robinson§, the premise for the show was fairly uncomplicated and followed the adventures of the Robinson family, a crew of space colonists who encounter a number of strange and otherworldly situations after their ship is sabotaged and thrown off its original course. &#160;A great deal of the show*s appeal was the family, a full generational spectrum which naturally connected with its audience. Of course, the crew also included an essential antagonist, Dr. Zachary Smith. Smith was the man responsible for sabotaging the Jupiter 2 and as a result, finds himself stranded aboard the spacecraft. Completing the crew was the robot, a charismatic scene-stealer designed by Robert Kinoshita, the man behind the iconic Robby the Robot from the 1956 sci-fi classic Forbidden Planet (1956). <o:p /></span></p> <p class="MsoNormal"><span lang="EN-GB">Another essential element of Lost in Space was its music, an accompaniment that varied (and re-used) a great deal throughout its three season history. Many respected composers had worked on the series including Herman Stein, Hans J. Salter, Alexander Courage, Gerald Fried, Robert Drasnin and Leigh Harline. However, one composer is perhaps associated with the series above all others, the legendary John Williams. Williams of course went on to compose some of the greatest film scores in history. It*s near impossible to summarise the enormity of his success, but titles such as Jaws, the Star Wars movies, Close Encounters of the Third Kind, Superman, E.T. the Extra-Terrestrial, and the Indiana Jones series should serve as a pretty impressive indicator.</span></p> <p><!-- s9ymdb:9435 --><img class="serendipity_image_center" width="400" height="400" src="/fbe/uploads/lostspace2.jpg" /> </p> <p class="MsoNormal"><span lang="EN-GB">In recognition of the composer*s excellent contribution to the series, Spacelab9 have released a glorious vinyl box set featuring the music of Johnny Williams. The four LP*s consist largely of music from four classic episodes, The Reluctant Stowaway, Island in the Sky, The Hungry Sea and My Friend, Mr. Nobody. Spacelab9 have put a great deal of thought and care in producing this highly impressive collection. Aside from Williams* original compositions, each of the individual albums is rounded off with generous bonus material from each of the corresponding episodes. These extra tracks feature music by the Louisville born Richard LaSalle. A respected composer in his own right, LaSalle was responsible for the show*s library cues which not only provided a certain familiarity but were also vital to the show*s distinctive overall soundscape. Main and end titles are also included for series 1, 2 and 3 as are some alternate versions and relevant bumper cues. <o:p /></span></p> <p class="MsoNormal"><span lang="EN-GB">Lost in Space: The Complete John Williams Collection is certainly a cohesive set which collates Williams* entire contribution neatly into one package. It*s a smart and intelligent move which also widens its appeal to fans of the composer and not just fans of the TV series. <o:p /></span></p> <p class="MsoNormal"><br /></p> <br /><a href="/fbe/index.php?/archives/9905-LOST-IN-SPACE-THE-COMPLETE-JOHN-WILLIAMS-COLLECTION-ON-VINYL.html#extended">Continue reading "&quot;LOST IN SPACE: THE COMPLETE JOHN WILLIAMS COLLECTION&quot; ON VINYL "</a> Mon, 18 Dec 2017 15:11:00 +0000 /fbe/index.php?/archives/9905-guid.html http://creativecommons.org/licenses/by/3.0/ LATEST SOUNDTRACK RELEASES FROM DUTTON VOCALION https://www.google.com//fbe/index.php?/archives/9737-LATEST-SOUNDTRACK-RELEASES-FROM-DUTTON-VOCALION.html Soundtrack Review /fbe/index.php?/archives/9737-LATEST-SOUNDTRACK-RELEASES-FROM-DUTTON-VOCALION.html#comments /fbe/wfwcomment.php?cid=9737 0 /fbe/rss.php?version=2.0&type=comments&cid=9737 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:9180 --><img class="serendipity_image_center" width="450" height="447" src="/fbe/uploads/DVFlashpoint_8526.jpg" /> </p> <p><strong>BY DARREN ALLISON</strong></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Vocalion have the rare ability to continuously satisfy. Not only does the label re-connect us to the past with essential CD reissues, but also through re-recordings of long forgotten and often overlooked classics. Vocalion*s three latest CD releases continue to exemplify these principles, and all with a certain sense of style.<o:p /></span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Themes from The Exorcist (1974) and Flashpoint (1975) are two albums from Ray Davies and the Button Down Brass. As albums, they formed part of an essential collective, an audio treasury that would find their way into the hands of young and enthusiastic kids, particularly of those who displayed an early interest and love of both cinema and TV. They were usually the affordable route; a few weeks pocket money would often result in one of these albums making it into the comforting domain of your bedroom. Sat alongside your Geoff Love compilations, they would provide countless hours of repeated enjoyment. <o:p /></span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Themes from The Exorcist and Flashpoint (CDSML 8526) offer a great twofer pairing. Originally released on the Philips label, both albums contain a varied and exciting selection of cuts. Aside from the &funky trumpet* of Ray Davies, his musicians including Alan Hawkshaw on keyboards, Alan Parker on electric guitar, Herbie Flowers on bass guitar and Alf Bigden on drums, can all be experienced here in top form and full flight. Covering the work of composers such as Lalo Schifrin, Quincy Jones, Michael Small, John Williams, Elmer Bernstein and John Barry, the selection is varied and vast. There*s a genuine refreshment to be found in some of these interpretations, take for example Don Ellis*s The French connection (1972) 每 Davies takes what could arguably be described as a frenzied burst of dissonant trumpet sounds and applies a melody, a theme... Yes, it perhaps lessens the intensity of its original, but instead provides a funky reinterpretation, and one in which I believe works to a large degree. It*s important perhaps to remember that these recordings were never in competition, they*re not competing for supremacy 每 some are just far too big. Magnum Force (1973) and its screaming, wordless vocals add so much to Schifrin*s original, and any attempt to perhaps try and replicate that is left firmly alone, and for good reason. However, a fresh approach certainly does it little harm, and can be comfortably enjoyed as a separate listening experience and an addition. As previously stated, it*s a really wonderful selection which takes in an eclectic mix from television classics such as Kojak (1973-78) and The Magician (1973-74) to cult movies of the day such as Mr. Majestyk (1974), Gold (1974), Point Blank (1967) and even a couple of Bruce Lee Joseph Koo themes 每 The Big Boss (1971) and Fist of Fury (1972). <o:p /></span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Another high point of this SACD release is that it also contains both the quadrophonic and stereo mixes. These titles were only ever previously available in 4-channel sound through a Japanese release. Vocalion have again produced a dynamic sound in their mastering process and provided a super set of notes which includes an exclusive interview with Ray Davies and his recollections of the people and the places relating to those exciting times. As always, Oliver Lomax provides a fascinating and detailed journey which captures perfectly the essence of yesterday. A great package, a great sound and a great journey; let*s hope there is more of the same to come. <o:p /></span></p> <p class="MsoNormal" style="text-align: justify;"><br /></p> <br /><a href="/fbe/index.php?/archives/9737-LATEST-SOUNDTRACK-RELEASES-FROM-DUTTON-VOCALION.html#extended">Continue reading "LATEST SOUNDTRACK RELEASES FROM DUTTON VOCALION"</a> Sun, 23 Jul 2017 09:48:00 +0000 /fbe/index.php?/archives/9737-guid.html http://creativecommons.org/licenses/by/3.0/ TWO NEW MAJOR SOUNDTRACK RELEASES FROM CINEPLOIT RECORDS https://www.google.com//fbe/index.php?/archives/9681-TWO-NEW-MAJOR-SOUNDTRACK-RELEASES-FROM-CINEPLOIT-RECORDS.html Soundtrack Review /fbe/index.php?/archives/9681-TWO-NEW-MAJOR-SOUNDTRACK-RELEASES-FROM-CINEPLOIT-RECORDS.html#comments /fbe/wfwcomment.php?cid=9681 0 /fbe/rss.php?version=2.0&type=comments&cid=9681 nospam@example.com (Cinema Retro) <p> </p> <p><strong>BY DARREN ALLISON</strong> </p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;"><br /> </span></p> <div class="serendipity_imageComment_center" style="width: 543px;"> <div class="serendipity_imageComment_img"><!-- s9ymdb:9103 --><img class="serendipity_image_center" width="543" height="534" src="/fbe/uploads/Cine-CD-front.jpg" /></div> <div class="serendipity_imageComment_txt">※Omaggio al Maestro Ennio Morricone§- CD sleeve.</div> </div> <p> </p> <p>&#160;</p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;"><span style="font-size: 13.3333px;">Cineploit Records launches two new releases</span>※Omaggio al Maestro Ennio Morricone§ (Cine 20) and ※Omaggio a Joe D∩Amato e Marcello Giombini§ (Exploit 01) 7∪ EP to mark their 5 year anniversary. <o:p /></span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Cinema Retro picked up on Cineploit*s talents very early in the day. I've been reviewing their releases now since those very first humble beginnings. When it comes to labels that are dedicated in keeping retro genre film music alive - Cineploit are arguably the very best. Never afraid to explore new avenues or indeed breathing new life into classic Giallo or Poliziotteschi film scores, the label has decided to celebrate their anniversary with the release of a tribute album &Omaggio al Maestro Ennio Morricone.*</span></p> <p> </p> <div class="serendipity_imageComment_center" style="width: 450px;"> <div class="serendipity_imageComment_img"><!-- s9ymdb:9104 --><img class="serendipity_image_center" width="450" height="443" src="/fbe/uploads/Cine-LP-front.JPG" /></div> <div class="serendipity_imageComment_txt">※Omaggio al Maestro Ennio Morricone§- LP sleeve.</div> </div> <p>&#160;</p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">This highly impressive compilation of the Maestro's work is performed by various groups and artists from the Cineploit stable, and very lavish it is too. The vinyl version comes in a beautiful gatefold sleeve with UV Spot, printed inner sleeve and is available in a limited coloured vinyl edition exclusive at Cineploit. The CD also comes with a Bonus track. The regular LP version is on 180g black Vinyl with or without the CD. The CD version also comes in an LP style wallet with an 8 page booklet and features different front sleeve artwork. As always, Cineploit offer a wide range of buying options at their website. <o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">? Zoltan 每 Pazuzu (from Exorcist 2)<o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">? Videogram 每 The Thing (from Soundtrack)<o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">? Orgasmo Sonore vs. Sospetto 每 Adonai (from Il Giardino delle Delizie)<o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">? Rashomon 每 Stress Infinito (from Spasmo)<o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">? Oscillotron 每 La Lucertola (from Una lucertola con la pelle di Donna)<o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">? LAWA (Leonard/Wank) 每 Sentenza di Morte (from Roma come Chicago)<o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">? Orgasmo Sonore 每 Matto, Caldo# Girotondo (from Vergogna Schifosi)<o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">? Luigi Porto feat Fromwood 每 Strana Bambina (La Piovra)<o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">? Thelema 每 Die Ballade von Pr?fekt Mori (from Il Prefetto di Ferro)<o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">? Sospetto 每 Inseguimento No. 2 &amp; 3 (from Una breve stagione)<o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">? LAWA (Leonard/Wank) 每 Revolver (from Revolver) * CD Bonus<o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Cineploit have also taken this opportunity to repress and rerelease the long sold out 7&quot; EP </span></p> <div class="serendipity_imageComment_center" style="width: 450px;"> <div class="serendipity_imageComment_img"><!-- s9ymdb:9105 --><img class="serendipity_image_center" width="450" height="450" src="/fbe/uploads/7front.JPG" /></div> <div class="serendipity_imageComment_txt">※Omaggio a Joe D∩Amato e Marcello Giombini§- front of vinyl release.</div> </div> <p> </p> <div class="serendipity_imageComment_center" style="width: 450px;"> <div class="serendipity_imageComment_img"><!-- s9ymdb:9106 --><img class="serendipity_image_center" width="450" height="450" src="/fbe/uploads/7back.JPG" /></div> <div class="serendipity_imageComment_txt">※Omaggio a Joe D∩Amato e Marcello Giombini§- back of vinyl release.</div> </div> <p>&#160;</p> <p>&#160;</p> <p> </p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">※Omaggio a Joe D∩Amato e Marcello Giombini§ by Deak Ferance &amp; Roger Conrad (Exploit 01) and features music from ※Man-Eater aka Antropophagous§ and ※Erotic Nights of the living Dead§. The vinyl features stunning retro artwork to both front and back and is released in a limited edition of just 350 copies on Orange/Black Splatter Vinyl.</span></p> <p> </p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Cineploit never fail to impress me, through either their quality recordings or their equally beautiful standard of packaging. With imminent new album releases coming from both Sospetto and Thelema, the future is certainly looking bright! Happy anniversary Cineploit! <o:p /></span></p> <p class="MsoNormal"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;"><a href="http://www.cineploit.com/">http://www.cineploit.com/</a> <o:p /></span></p> <p class="MsoNormal"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;"><a href="https://www.youtube.com/watch?v=y5lEi3wmsK4">https://www.youtube.com/watch?v=y5lEi3wmsK4</a> (*Lee 每 Great promo video) <o:p /></span></p> <p class="MsoNormal"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;"> </span></p> Sun, 11 Jun 2017 13:44:00 +0000 /fbe/index.php?/archives/9681-guid.html http://creativecommons.org/licenses/by/3.0/ REVIEW: "SONGS FROM THE SWINGER & OTHER SWINGIN' SONGS"/ "THE PLEASURE SEEKERS"; DOUBLE SOUNDTRACK RELEASE FROM CHERRY RED RECORDS https://www.google.com//fbe/index.php?/archives/9535-REVIEW-SONGS-FROM-THE-SWINGER-OTHER-SWINGIN-SONGS-THE-PLEASURE-SEEKERS;-DOUBLE-SOUNDTRACK-RELEASE-FROM-CHERRY-RED-RECORDS.html Soundtrack Review /fbe/index.php?/archives/9535-REVIEW-SONGS-FROM-THE-SWINGER-OTHER-SWINGIN-SONGS-THE-PLEASURE-SEEKERS;-DOUBLE-SOUNDTRACK-RELEASE-FROM-CHERRY-RED-RECORDS.html#comments /fbe/wfwcomment.php?cid=9535 0 /fbe/rss.php?version=2.0&type=comments&cid=9535 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:8906 --><img class="serendipity_image_center" width="450" height="450" src="/fbe/uploads/SWINGER.jpg" /> </p> <p><strong>BY DARREN ALLISON</strong></p> <p> <span style="font-family: Verdana, sans-serif; font-size: 10pt;">The Swinger (1967) and The Pleasure Seekers (1964) are films featuring the charismatic </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt;">Ann-Margret. Both films are considered to be typical Hollywood pop cinema; light and frothy, flawed, but full of period bric-a-brac and stylish music, much like the Elvis Presley movies of the day. In fact, Margret had already made quite an impact starring alongside Elvis in the film Viva Las Vegas (1964). Margret was certainly beginning to shine in all the right places and had come a long way since emigrating from her native Sweden back in 1942.</span></p> <p class="MsoNormal"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">The title song of The Swinger was written by Andr谷 and Dory Previn and the score composed by Marty Paich with additional arrangements by Johnny Williams and Quincy Jones. The Swinger was originally released in both mono and stereo and appeared on the RCA Victor label as one of their DYNAGROOVE recordings. It*s a great collection of songs performed by the enigmatic Margret in her own unique style and also features a couple of tracks from the film*s composer Marty Paich. As the title suggests, the album is also woven with &other swingin* songs* so expect some excellent additional material such as &More* from Mondo Cane (1962) all of which fits rather seamlessly into the overall essence of the album. At just 32 minutes (which was typical of an album for this time), Cherry Red has sensibly taken the opportunity to pair this album up to make a very respectable and ideal twofer release. <o:p /></span></p> <p class="MsoNormal"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">The Pleasure Seekers soundtrack was also originally released on the RCA Victor label and featured a score by Lionel Newman and Alexander Courage. In addition the album also featured four songs from the writing team of Sammy Cahn and Jimmy Van Heusen. The songs are of course performed by Ann-Margret, with tracks such as &Bossa Nova* and &Something to think about* adding a genuine lush, vibrant feel to the album. At 34 minutes, it works perfectly alongside The Swinger and rounds off the CD rather nicely.</span></p> <p><!-- s9ymdb:8907 --><img class="serendipity_image_center" width="450" height="450" src="/fbe/uploads/PLEASURESEEKERS.jpg" /> </p> <p class="MsoNormal"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">The Swinger / The Pleasure Seekers (CD ACMEM324CD) really does have a great deal going for it. Firstly, they are a match made in heaven. Both albums showcase Margret*s distinguished vocal style and clearly reflect her place in popular culture. Secondly, Cherry Red*s CD marks the first time these two albums have ever been released on any digital format. It*s hard to understand how they had previously slipped under the radar and never seen the light of day before now. The audio quality is also very clean. Whilst there is no indication of the source, both recordings are clear, with nice range and are free from any form of background hiss. Cherry Red has also produced a very nice 12 page booklet to accompany this release which is full of relevant and interesting notes. The only minor grievance I have is in the booklet layout. Whilst there is a lovely reproduction of the original album artwork of The Swinger to the front of the booklet, the full page reproduction of the album art for The Pleasure Seekers sits buried inside the booklet. Placing this artwork to the back cover of the booklet renders it far more practical and makes it completely reversible. It provides the owner with an opportunity of choosing exactly what album cover they want to display to the front. It*s a very simple option, but makes a world of difference to the collector. Other than that, it*s a first rate release that I*m sure will be welcomed and enjoyed by a great deal of people.&#160;</span></p> <p><strong><a href="http://www.amazon.com/exec/obidos/ASIN/B01LTHWTQU/cinemaretroco-20">CLICK HERE</a> TO ORDER FROM AMAZON USA</strong> </p> <p><strong>UK/EUROPE: <a href="https://www.cherryred.co.uk/product/songs-from-the-swinger-other-swingin-songs/">CLICK HERE</a> TO ORDER&#160;</strong> </p> Sun, 12 Feb 2017 14:51:00 +0000 /fbe/index.php?/archives/9535-guid.html http://creativecommons.org/licenses/by/3.0/ FOUR NEW SOUNDTRACK RELEASES FROM VOCALION https://www.google.com//fbe/index.php?/archives/9497-FOUR-NEW-SOUNDTRACK-RELEASES-FROM-VOCALION.html Soundtrack Review /fbe/index.php?/archives/9497-FOUR-NEW-SOUNDTRACK-RELEASES-FROM-VOCALION.html#comments /fbe/wfwcomment.php?cid=9497 0 /fbe/rss.php?version=2.0&type=comments&cid=9497 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:8867 --><img class="serendipity_image_center" width="400" height="397" src="/fbe/uploads/ROGUES.jpg" /> </p> <p><strong>BY DARREN ALLISON</strong></p> <p><span style="font-family: Verdana, sans-serif; font-size: 10pt; text-align: justify;">Vocalion records have four super releases to get 2017 underway. The Rogues (1964) (CDLK 4601) features music composed and conducted by Nelson Riddle. The Rogues, a rather short-lived TV series (aired on NBC from September 13, 1964, to April 18, 1965), starred David Niven, Gig Young and Charles Boyer as a trio of former conmen. Whilst it won the 1964 Golden Globe award for Best Television Series, the show has largely been forgotten. Thankfully, Alfred Perry of Four Star Television had the vision to approach RCA with the idea of releasing an album of Riddle*s music from the show. Vocalion*s beautifully mastered CD is a straight re-issue of that album (LSP 2976). As you would expect from Riddle, a hugely talented composer who had penned music from the TV series The Untouchables and Route 66, his music for The Rogues is both rich and lush. It*s a great example of a period sound with plenty of silky strings and of course some wonderful swinging brass rhythms. Sound quality is remarkably good thanks to Michael J. Dutton*s remastering of the original analogue tapes. It is also nice to see Vocalion reverting back to providing a full and informative set of original liner notes. Oliver Lomax provides a comprehensive account of Riddle, his musicians and his unique approach to music. The Rogues is a release that certainly justifies and fully deserves a fresh re-evaluation as well as some detailed attention.</span></p> <p><!-- s9ymdb:8868 --><img class="serendipity_image_center" width="400" height="399" src="/fbe/uploads/HOWSWEET.jpg" /> </p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">How Sweet it Is! (1968) (CDLK 4604) makes its debut appearance on CD and features the music of composer Patrick Williams. Williams is a composer that rarely receives the recognition that he arguably deserves. After working primarily as an arranger in New York, he moved to California in 1968 to pursue a career in film and television. How Sweet It Is! marked the first film score for Williams. It was a fairly routine comedy outing (which received an X certificate in the UK) and starred James Garner, Debbie Reynolds and Terry-Thomas. In his memoirs, Garner would later reveal that both he and Reynolds hated the film but kept it together for the sake of their fans. The film*s music, however, is far more enduring. Williams provides a beautiful score ranging from some high tempo jazzy numbers to some smooth and very romantic mellow sounds. It*s a score which shares certain similarities to that of Neal Hefti*s prevalent sixties sound, often romantic but with a playful underlining trill woven throughout. The soundtrack also features two vocal tracks that fall into the easy listening genre and are provided by the Picardy Singers. Vocalion*s CD sounds remarkable thanks again to Michael J. Dutton*s remastering of the original analogue tapes. Liner notes on this occasion are just a straight forward reproduction of the original RCA LP (LSP 4037) sleeve notes. As a straight re-working of the original album, it is also relatively short at just under 28 minutes, which is a great shame as it practically cries out for more of the same.</span></p> <p><!-- s9ymdb:8869 --><img class="serendipity_image_center" width="400" height="397" src="/fbe/uploads/HUGO.jpg" /> </p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">There aren*t too many people I know amongst the soundtrack community who don*t enjoy the recordings of Hugo Montenegro. Whilst he was an accomplished composer in his own right ((Lady in Cement (1968), The Ambushers (1967) and The Wrecking Crew (1968)), he is perhaps remembered more for his unique arrangements 每 usually of other composers* music. Vocalion*s new CD treats us to not one, but two of his great albums. Love Theme from The Godfather (1972)/Music from A Fistful of Dollars, For a Few Dollars More &amp; The Good, the Bad and the Ugly (1968) (CDLK 4595) provides the listener with arguably his very best work. Back in 1972, RCA released Love Theme from The Godfather as a quadrophonic LP (APDI-0001). Vocalion have reissued both albums here on CD in the SA-CD format and therefore retaining its multi-channel format (this CD is also stereo compatible). Love Theme from The Godfather is an album of varied styles containing a mixture of both film music and popular tunes of the time. Ranging from Lennon &amp; McCartney*s Norwegian Wood to Mancini*s Baby Elephant Walk, the content is diverse and eclectic 每 but all comes together in a quirky and highly enjoyable way. Music from A Fistful of Dollars, For a Few Dollars More &amp; The Good, the Bad and the Ugly has largely attained widespread recognition over the decades. An extremely popular album, soundtrack collectors continue to hold their vinyl as cherished possessions. Naturally, a completely remastered version of that album is also extremely welcome. Michael J. Dutton has done a fabulous job in providing a crisp freshness to these classic recordings and it appears to be perfectly justified in releasing this twofer by way of a Hybrid CD. Frankly, they have never sounded so good. As well as including the massive single chart hit The Good, the Bad and the Ugly, the album also includes the single cut for Hang &Em high 每 Clint Eastwood*s first American western made upon his return from Europe after completing Sergio Leone*s Dollar trilogy. It*s perhaps a little disappointing that no new liner notes were produced for this release; instead there is a straight reproduction of the original album notes. Considering the versatility and calibre of Montenegro*s work, it would have been nice to include some form of appreciation of his career in music. However, the proof here is solidly in the music itself, and on that basis, it*s a winner in every respect. <o:p /></span></p> <p class="MsoNormal" style="text-align: justify;"><br /></p> <br /><a href="/fbe/index.php?/archives/9497-FOUR-NEW-SOUNDTRACK-RELEASES-FROM-VOCALION.html#extended">Continue reading "FOUR NEW SOUNDTRACK RELEASES FROM VOCALION"</a> Sat, 07 Jan 2017 13:23:00 +0000 /fbe/index.php?/archives/9497-guid.html http://creativecommons.org/licenses/by/3.0/ SOUNDTRACK REVIEW: "ECOLOGIA DEL DELITTO" ("BAY OF BLOOD") BY STELVIO CIPRIANI; EXTENDED RELEASE FROM CHRIS' SOUNDTRACK CORNER https://www.google.com//fbe/index.php?/archives/9391-SOUNDTRACK-REVIEW-ECOLOGIA-DEL-DELITTO-BAY-OF-BLOOD-BY-STELVIO-CIPRIANI;-EXTENDED-RELEASE-FROM-CHRIS-SOUNDTRACK-CORNER.html Soundtrack Review /fbe/index.php?/archives/9391-SOUNDTRACK-REVIEW-ECOLOGIA-DEL-DELITTO-BAY-OF-BLOOD-BY-STELVIO-CIPRIANI;-EXTENDED-RELEASE-FROM-CHRIS-SOUNDTRACK-CORNER.html#comments /fbe/wfwcomment.php?cid=9391 0 /fbe/rss.php?version=2.0&type=comments&cid=9391 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:8763 --><img class="serendipity_image_center" width="450" height="450" src="/fbe/uploads/EcologiaDelDelittobayofblood.jpg" /> </p> <p><strong>BY DARREN ALLISON</strong></p> <p> <span style="font-family: Verdana, sans-serif; font-size: 10pt; text-align: justify;">It*s perfectly fair to describe Mario Bava as something of a maverick; he is after all, an Italian director from the golden period of Italian horror films. Much is attributed to Bava, some even label him as the man responsible for launching the giallo film genre and in particular the entire sub-genre of the slasher movie.</span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Ecologia Del Delitto (Bay of Blood) is also regarded as one of the very first slasher movies. It was Bava*s 24<sup>th</sup> theatrical film as director and as such he was confident in both his style and technique. Ecologia Del Delitto is arguably one of Bava*s most violent films and featured some graphically bloody murders. The film also boasted a strong international cast led by the beautiful French actress Claudine Auger, best known for her role as Dominique in the James Bond film Thunderball (1965). The film also featured Italian actress Laura Betti, with whom Bava had enjoyed working with on Hatchet for the Honeymoon (1969).<o:p /></span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">By the time Ecologia Del Delitto appeared, Italian composer Stelvio Cipriani was well adapted to the thriller score. Ecologia Del Delitto was the first of three projects that teamed both Cipriani and Bava, the second being Gli orrori del castello di Norimberga (Baron Blood) 1972) and lastly Cani Arrabbiati (Rabid Dogs) (1974). Whilst all three scores have been previously released on the excellent limited edition Digitmovies double CD from 2005 &Mario Bava Original Soundtracks Anthology Volume III* (CDDM046), the Chris' Soundtrack Corner expanded score is fully worth the upgrade. In addition to the 37 minutes of music previously released, the CSC release contains 11 new tracks. Christian Riedrich explains, &Eleven bonus tracks of about fourteen minutes total length are added to this album, seven of which are previously unreleased, these include alternate takes, &quot;wild&quot; recordings, or edited mixes of original takes extended by looping the music and thus doubling the length of the track in order to offer a better listening experience. The cues are not sequenced in film order but have been placed in an order that we believe provides an optimum listening experience of the music apart from the film.* <o:p /></span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Cipriani*s score works extremely well. There is a great deal of emphasis on percussion, tribal drums in particular are used to provide an uneasy, atonal quality which conjures up a genuine sense of foreboding. Yet, in listening to Cipriani you can pretty well guarantee you*re never too far from a beautiful melody. Cipriani seems to possess a unique ability in mixing the two styles seamlessly. Listen for his excellent &lounge* version of the main title, and you*ll be transported to a silky soft, heavenly place via an ever so slightly threatening layer of opening strings... it*s a perfect example of equilibrium and it works deliciously well. <o:p /></span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">This newly released and extended edition of Ecologia Del Delitto has been beautifully produced by Christian Riedrich and newly mastered by Stefan Betke. The CD is accompanied by a 16-page illustrated booklet designed by Aletta Heinsohn featuring detailed and exclusive notes by film music journalist Randall D. Larson. If I had one minor gripe, I would have possibly put some of that stronger artwork to better use for the cover illustration. The powerful poster image by Spanish artist Jano would have pressed all the right buttons - but perhaps this was hampered by copyright limitations. Nevertheless, it certainly shouldn*t put you off, as Cipriani*s music remains the domineering factor.</span></p> <p><strong><a href="http://www.soundtrackcorner.de/ecologia-del-delitto-a-bay-of-blood-expanded-p7428.htm">CLICK HERE</a> TO ORDER</strong> </p> Sat, 29 Oct 2016 10:20:00 +0000 /fbe/index.php?/archives/9391-guid.html http://creativecommons.org/licenses/by/3.0/ SOUNDTRACK REVIEW: "BERMUDE LA FOSSA MALDETTA" ("BERMUDA: CAVE OF THE SHARKS") BY STELVIO CIPRIANI, CD FROM CHRIS' SOUNDTRACK CORNER https://www.google.com//fbe/index.php?/archives/9390-SOUNDTRACK-REVIEW-BERMUDE-LA-FOSSA-MALDETTA-BERMUDA-CAVE-OF-THE-SHARKS-BY-STELVIO-CIPRIANI,-CD-FROM-CHRIS-SOUNDTRACK-CORNER.html Soundtrack Review /fbe/index.php?/archives/9390-SOUNDTRACK-REVIEW-BERMUDE-LA-FOSSA-MALDETTA-BERMUDA-CAVE-OF-THE-SHARKS-BY-STELVIO-CIPRIANI,-CD-FROM-CHRIS-SOUNDTRACK-CORNER.html#comments /fbe/wfwcomment.php?cid=9390 0 /fbe/rss.php?version=2.0&type=comments&cid=9390 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:8762 --><img class="serendipity_image_center" width="450" height="450" src="/fbe/uploads/BermudeLaFossaMaledetta.jpg" /> </p> <p><strong>BY DARREN ALLISON</strong></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">The mid-to-late Seventies seemed rife with films that featured sharks and the mysterious depths of the Bermuda waters. High class entries of course included Jaws (1975) and The Deep (1977), both of which were based upon successful novels by Peter Benchley. For every good example, there is naturally a fair amount of cheaper, less impressive imitations.&#160; Bermuda: Cave of the Sharks (1978) directed by Italian Tonino Ricci, unfortunately lands in that category. <o:p /></span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">When Andres (Andr谷s Garc赤a ) and his partner Angelica (Janet Agren ) are hired to recover some treasures from an aircraft that has ditched into the Bermuda Triangle, they face not only human treachery but also the mysterious powers of an underwater civilization. Ricci*s film did very little business and came about strictly because of the Italian film industry*s love affair with shark movies. <o:p /></span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">However, Tonino Ricci did have the good sense to hire Italian composer Stelvio Cipriani to write the score. The composer was becoming more than familiar with this particular genre with Cipriani, also scoring Il triangolo delle Bermude (The Bermuda triangle) (1978) and Uragano sulle Bermude l'ultimo S.O.S. (Encounters in the Deep) (1979). <o:p /></span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Cipriani*s score for Bermude La Fossa Maledetta is quite an eclectic mixture of styles. A great number of the tracks serve as simplistic mood setters, not unlike standard &library* samples. There is nothing in the way of a memorable lush theme or even a stand out action piece, which is strange considering that this is an adventure movie. There is nothing that could be described as rousing. Instead, Cipriani uses a recurring 6 note motif in various alternative forms. Additionally, the listener is reminded that this is indeed 1978 and with it comes plenty of bass guitar played over a Euro/Latin disco backing track, a style that would come to dominate many Italian films from this particular period. Cipriani*s score sticks very much to formula, with some nice little synthesised cues thrown in along the way.<o:p /></span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Chris' Soundtrack Corner's complete CD gets really interesting when it reaches the bonus material. Cipriani seemingly gains access to a rather nice (if limited) set of orchestral musicians. As a result, the music has a much improved, almost lush appeal and provides a complete change of direction. Mysteriously, this only occurs for a couple of tracks before reverting back to the more familiar synthesised approach. However, even these &alternate* versions seem to carry far more weight and even provide some threatening wordless vocals which really hype up the atmosphere. Ultimately, one is left wishing that there were a great deal more strings and harmonies used within the context of Cipriani*s main score. <o:p /></span></p> <p><span style="font-family: Verdana, sans-serif; font-size: 10pt; text-align: justify;">Italian label Digitmovies had previously released a three-score, 2-CD set that featured 18 tracks from Bermude La Fossa Maledetta - but is now long deleted.</span><span style="font-family: Verdana, sans-serif; font-size: 10pt; text-align: justify;"> </span><span style="font-family: Verdana, sans-serif; font-size: 10pt; text-align: justify;">Chris' Soundtrack Corner now offers the complete score (31 tracks in total) with an additional 26 minutes of previously unreleased material 每 an element which is bound to appeal to dedicated Cipriani collectors. Comprehensive album notes are provided by John Bender contained within an 8-page booklet.</span></p> <p><strong><a href="http://www.soundtrackcorner.de/bermude-la-fossa-maledetta-cave-of-the-sharks-complete-p7316.htm?osCsidX=54995f7c5fb98f9af6246936a04541c0">CLICK HERE </a>TO ORDER&#160;</strong> </p> Tue, 25 Oct 2016 10:18:00 +0000 /fbe/index.php?/archives/9390-guid.html http://creativecommons.org/licenses/by/3.0/ SPACELAB9 TO RELEASE THE SHAWSHANK REDEMPTION: ORIGINAL MOTION PICTURE SOUNDTRACK DOUBLE LP https://www.google.com//fbe/index.php?/archives/9289-SPACELAB9-TO-RELEASE-THE-SHAWSHANK-REDEMPTION-ORIGINAL-MOTION-PICTURE-SOUNDTRACK-DOUBLE-LP.html Soundtrack Review /fbe/index.php?/archives/9289-SPACELAB9-TO-RELEASE-THE-SHAWSHANK-REDEMPTION-ORIGINAL-MOTION-PICTURE-SOUNDTRACK-DOUBLE-LP.html#comments /fbe/wfwcomment.php?cid=9289 0 /fbe/rss.php?version=2.0&type=comments&cid=9289 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:8625 --><img class="serendipity_image_center" width="450" height="450" src="/fbe/uploads/shawshankcd.jpg" /> </p> <p>Cinema Retro has received the following press release:</p> <p> </p> <p class="MsoNormal" style="margin: 12pt 0in; line-height: 16.9pt;"><span style="font-size: 10pt; font-family: Verdana, sans-serif; color: #606060;">※That*s the beauty of music. They can*t get that from you§ -&#160;<em>Andy Dufresne</em><br /> <br /> On August 12<sup>th,</sup>&#160;2016, nearly 22 years after the film*s original theatrical release, SPACELAB9 is honored to present, for the first time ever on vinyl format,<strong>&#160;THE SHAWSHANK REDEMPTION: ORIGINAL MOTION PICTURE SOUNDTRACK DOUBLE LP</strong>. The critically acclaimed soundtrack album includes the full 18-track score from award-winning composer Thomas Newman (The Green Mile, American Beauty, Spectre) as well as additional tracks by The Ink Spots and Hank Williams plus a stunning performance of Mozart*s ※The Marriage of Figaro§ by the Deutsche Opera Berlin, recalling one of the most memorable scenes from the ?lm.<br /> <br /> The deluxe 180 gram double LP package includes a gatefold jacket highlighted with sleek silver foil stamping and features several images from the iconic film as well as exclusive liner notes by composer Thomas Newman. A limited ※Prison Blues§ blue vinyl variant is available from Barnes &amp; Noble, while the ※Suds on the Roof§ yellow vinyl variant will be made available for pre-order on August 2<sup>nd</sup>, exclusively at SPACELAB9.com and will also be available in extremely limited quantities from the label*s booth at New York Comic Con in October.</span></p> <p class="MsoNormal" style="margin: 12pt 0in; line-height: 16.9pt;"><span style="font-size: 10pt; font-family: Verdana, sans-serif; color: #606060;"><!-- s9ymdb:8626 --><img class="serendipity_image_center" width="450" height="214" src="/fbe/uploads/shawshankcd2.jpg" /><br /> <br /> The film adaption of the Steven King novella &quot;Rita Hayworth and the Shawshank Redemption, renamed simply&#160;<em>The Shawshank Redemption&#160;</em>by screenwriter and director Frank Darabont (The Green Mile, The Walking Dead), although not a hit at the box office upon its 1994 theatrical release, gained traction the following year having been nominated for seven Academy Awards. Following the home video release in 1995,&#160;<em>The Shawshank Redemption</em>&#160;became the most rented film of the year and would continue to grow in popularity throughout the next two decades to become one of the most iconic, endearing and enduring films of all time. The Shawshank Redemption has sat at #1 on IMDB*s user-generated list of the 250 top rated films since 2008 and in 2015 the United States Library of Congress selected the film for preservation in the National Film Registry, finding it to be ※culturally, historically, or aesthetically significant§.</span></p> <p><strong><a href="http://www.amazon.com/exec/obidos/ASIN/B01GMG3ORG/cinemaretroco-20">CLICK HERE</a> TO ORDER FROM AMAZON</strong> </p> <p><span style="font-family: Verdana, sans-serif; font-size: 10pt; line-height: 107%;"> </span> </p> Mon, 01 Aug 2016 10:08:00 +0000 /fbe/index.php?/archives/9289-guid.html http://creativecommons.org/licenses/by/3.0/ REVIEW: "IS PARIS BURNING?", 50TH ANNIVERSARY 2-CD SET FROM TADLOW https://www.google.com//fbe/index.php?/archives/9279-REVIEW-IS-PARIS-BURNING,-50TH-ANNIVERSARY-2-CD-SET-FROM-TADLOW.html Soundtrack Review /fbe/index.php?/archives/9279-REVIEW-IS-PARIS-BURNING,-50TH-ANNIVERSARY-2-CD-SET-FROM-TADLOW.html#comments /fbe/wfwcomment.php?cid=9279 0 /fbe/rss.php?version=2.0&type=comments&cid=9279 nospam@example.com (Cinema Retro) <p><!-- s9ymdb:8617 --><img class="serendipity_image_center" width="450" height="450" src="/fbe/uploads/Is-paris-burning-TADLOW024.jpg" /> </p> <p><strong>BY DARREN ALLISON</strong></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Is Paris Burning? Composed by Maurice Jarre, The 50th Anniversary Recording of the Complete Score. A Special Collectors 2 CD Edition featuring a brand new recording by The City of Prague Philharmonic Orchestra Conducted by Nic Raine. Released by Tadlow Music, Price: ㏒16.95 TADLOW023, Date: August 25th 2016 Anniversary of the Liberation of Paris.<o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">It*s always exciting to receive the latest release from Tadlow music. When award winning producer James Fitzpatrick and respected conductor Nic Raine join forces and combine their talents, you know the result is always going to be good. Maurice Jarre*s music is, of course, nothing new to the long standing partnership. Together in recent years, they have overseen triumphant new recordings of Jarre*s Lawrence of Arabia (1962) and Villa Rides (1968).<o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Is Paris Burning? (1966) is their latest collaboration and features the complete 69 minute film score including previously unrecorded cues. A great deal of Jarre*s patriotic score is heavily militaristic, with defiant marches that reflect the repetitive beat of German foot soldiers. Jarre chose to use ascending pianos to achieve this &strange and disturbing sound*, twelve pianos in fact, and drew upon his childhood memories of living in Paris. It*s a very methodical score, almost industrial in its strokes and leaves very little room for lush or sweeping melodies. However, this wasn*t the case with Jarre*s original soundtrack album where the composer took a more logical musical approach as opposed to a filmic approach. Naturally perhaps, this is the more familiar arrangement that we have become more accustomed to, and where Tadlow again go the extra mile. Never a company to cut corners, Tadlow have also included a complete reworking of Jarre*s album version which was originally released over two suites. In fact, the second CD in this collection is a joyous collage of Jarre delights.<o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">Aside from the original album version of Is Paris Burning? Tadlow*s second disc (running a generous 73 minutes) contains a wonderful selection of concert suites comprised of Jarre*s similar period assignments. Here you will find music from The Night of the Generals (1967), The Train (1964), Weekend at Dunkirk (1964) and The Damned (1969). As an extra bonus, Tadlow has also added two new vocal versions of ※Paris En Colere§ performed by The City of Prague Philharmonic chorus conducted by Miriam Nemcova and a solo vocal version by new French singing discovery, Melinda Million, both of which rounds off this collection rather nicely.<o:p /></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;"> </span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">As with all of Tadlow*s releases, the audio (recorded in dynamic 24Bit/96kHz digital sound) is quite stunning and provides an entirely new clarity to such familiar themes. Nic Raine conducts the reconstructed score from the original orchestrations by Leo Arnauxd, and in return extracts a powerhouse performance from the acclaimed 100 piece City of Prague Philharmonic Orchestra. Tadlow*s packaging includes a handsomely produced 24-page booklet with informative liner notes by Frank K DeWald and producer James Fitzpatrick.<o:p /></span></p> <p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-size: 10pt; line-height: 115%; font-family: Verdana, sans-serif;">At over 140 minutes of music, Tadlow always maintain the ability to deliver quantity as well as quality. Reliability is something of a rare factor in the soundtrack market. Fortunately, with the arrival of a Tadlow release, you can always guarantee it*s going to be right on the money, before you*ve even hit the play button.&#160;<o:p /></span></p> <p><a href="http://www.tadlowmusic.com/home/" style="font-family: Verdana, sans-serif; font-size: 10pt; line-height: 115%; text-align: justify;">http://www.tadlowmusic.com/home/</a> </p> Mon, 25 Jul 2016 10:50:00 +0000 /fbe/index.php?/archives/9279-guid.html http://creativecommons.org/licenses/by/3.0/